The top 20 of The Stage newspaper’s recently published “power list” of the 100 most influential people in British theatre made for fascinating reading. Most of the usual suspects were there, but many of them found themselves paired with another name for their entry. For it’s not only the artistic directors, the Nick Hytners and Gregory Dorans, who are celebrated but their all-important executive directors, the men and women who oversee every aspect of an organisation except what goes on its stages. Without executive directors, no contracts would be written, no money raised and no ambitious building projects undertaken.
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