Behind every successful Mad Man is a female character that any actress would audition every day for a year to play. Mad Men may be set in a world where gender equality is a distant dream, but it's written and produced in the future: by the third season, more than half of its writers were women, which is a vanishingly rare statistic.
Bob Levenson was considered by his peers as one of the best ever advertising copywriters, if not the best, one of the original "Mad Men" who launched the creative revolution on Manhattan's Madison Avenue in the 1960s and tossed conventional ideas out of the window. During more than a quarter of a century at Doyle Dane Bernbach (DDB) – said to have been the model for the Mad Men TV series – Levenson created many of the ads which changed the face of advertising, in the cinema and in the rocketing new phenomenon that was commercial television. He won every award in the business, several times over, was elected in 1972 to the Copywriters' Hall of Fame (now known as the Creative Hall of Fame) and was often described as "the writer's writer".
Who's the coolest member of the Coalition? Jazz fan Ken Clarke? Mick Jones's cousin Grant Shapps? The competition, with respect to Danny Alexander and Oliver Letwin, isn't too fierce.
Mandy Patinkin stars in the wildly successful drama Homeland, which cleaned up at the Emmys this week. On the eve of the show's second season, he talks to James Mottram about life in an unqualified hit
If you're a man, and as of yet, you are not quite as hot as Jon Hamm, don't despair; there's still hope. You may grow into it. For even Jon Hamm wasn't always so hot.
She is best known for her role as Pete Campbell's wife, Trudy, in Mad Men, but her comic timing and convincing British accent reveal she's destined for big-screen success
As I said yesterday, readers, old and new, have been emailing in your droves – some of you not even about Scotland! For the benefit of newer readers, I have pledged – foolishly – to read all your mail, and that either Hannah Nicholls or I will reply if you need one. Please put your name and hometown on emails, and remember if you text, that we cannot text back.
Sex and Sixties glamour served with a cocktail
Why do British TV series such as Abi Morgan's 1950s drama never allow characters any breathing space? By Ben Walsh
Jennifer Westfeldt was the star in her home till her actor husband struck gold in Mad Men. The first-time director talks to Kaleem Aftab
Our shelves groan with love. Out in the visual world, sex sells, but take down any novel, book of poetry or biography and it's clear that, on the page, love is most often the hook. As a magic word that all can use, but few define, its potency might be down to nothing more than the bewildering variety of experiences it covers, next to which the supposedly exotic range of options on the sexual menu seems staid. That this one word can be applied to romantic love, parental love, love between friends and love of God seems perverse, as if it is a deliberate semantic ploy to complicate and intensify our lives.
Killing off the main character in a hit TV series is risky. But Game of Thrones seems to have survived, says Sarah Hughes
'Mad Men' was the big winner at the inaugural Critics' Choice Television Awards yesterday.
With ‘Dexter’ and ‘Mad Men’ leading the way, TV title sequences are outdoing their film forebears. Gerard Gilbert celebrates the rebirth of an art form