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Film: Porn to be wild: cinema girds its loins to go sex mad

`Boogie Nights', a dark comedy about the rise, fall and partial rise again of a male porn star, is out next week. Laurence O'Toole looks at a film that features Mark Wahlberg - aka Marky Mark, white rapper and Calvin Klein underwear model. Is thi s the first of a new genre of Hollywood art porn films? With a title like Boogie Nights, you know you're in for a vintage disco soundtrack and some dodgy dancing gear to match. Though the director, Paul Thomas Anderson is too young to have lived the disco lifestyle, he lays on a feast of period kitsch: bubble perms, Saturday Night Fever line- dance sequences, gaudily-patterned polyester shirts. Kitsch is also how he characterises Seventies cinematic porn, captive to bad taste, loud emotions and sensual excess.

No illusions about stardom

Julianne Moore understands the illusory nature of stardom as well as most. In the bound-to-shock `Boogie Nights' she plays a porn star - as illusory an occupation as you can find on the seedier fringes of Hollywood. She talks to Nick Hasted about fame and fear.

Boogie frights

Since the attempts to censor david Cronenberg's Crash any film which attempts to tackle sex and violence feels threatened with a ban. Chris Darke examines offerings at the London Film Festival whose controversy might outweigh their worth.

Screen Life: You have to like a film that needs a glossary of porn-speak to be comprehensible

Let's do a little word association. Ready? Burt Reynolds. Now. What did you think? Washed-up actor? Rug Man? Has-been in opticians' advert? Somebody your mum used to fancy? Did you hear the din of duelling banjos? Or did that lovable "sonofabitch" in Smokey and The Bandit spring to mind? Get ready to adjust your archives. By all accounts, Reynolds has made a Travolta-sized comeback as Jack Horner, a blue movie producer who wants to make "art" in the upcoming Boogie Nights.

Motor racing: Doubt cast on Imola surface

Oreste Dominioni, the lawyer defending Frank Williams, the Formula One team owner charged with manslaughter after the death of Ayrton Senna, yesterday raised doubts about conditions at the Imola track.

FILM / A Shadow of Doubt; Le Parfum d'Yvonne

Hollywood is a past master at conjuring fears into family entertainment. Child abuse; child rights? It will grasp those nettles, sure, but in the form of dopey comedies like North (about a boy who tries to divorce his parents), Getting Even With Dad and Baby's Day Out - all cunningly encoded versions of modern anxieties about kid power. When America takes the big issues seriously, they'll be ghettoised in TV movies-of-the-week.

BOOK REVIEW / Ghostly sons and lovers: 'The Magnolia' - Philip Callow: Allison & Busby, 5.99 pounds

PHILIP CALLOW's career as a writer runs back to the Fifties. Common People, a fine early novel, dates from 1958, and he contributed to Tom Maschler's collection of 'committed' post-Suez essays Declaration (1957).
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