The boy band may have achieved chart success, but 2013 marked the first year in a decade that no album sold more than 1 million copies in the UK
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Tuesday 21 August 2012
"I won’t sit down and I won’t shut up/ And most of all I will not grow up", belts out the lean 30-year-old Frank Turner on his rousing anthem "Photosynthesis", and the bolshie folkie from Winchester is the highlight of this inaugural Able2UK concert for disabled awareness.
Monday 20 August 2012
It would appear that YouTube really is the new MTV.
Sunday 19 August 2012
A suite of songs (ie, the mood is consistent throughout) of love and loss that aims for the austere mood of Gene Clark's No Other and falls short only because it reaches so high.
Saturday 18 August 2012
Named after the inscription “dramma per musica” to be found on 18th-century opera librettos, Dramma offers a remarkable collection of arias mostly drawn from longforgotten works by (now) unperformed composers.
Saturday 11 August 2012
On his second Decca set, piano wunderkind Benjamin Grosvenor programmes Gershwin alongside roughly contemporary pieces by Ravel and Saint-Saëns, but it's the connection between Rhapsody in Blue and Ravel's Piano Concerto in G major that gives the album its point.
Friday 10 August 2012
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Friday 10 August 2012
Steven Osborne is one of the unsung heroes of British pianism. This 40-year-old Scot tends to be typecast as a Beethoven and Schubert man, but he can create subtle spells with Ravel and Debussy: how would he handle Grieg’s ‘Piano Concerto in A minor’?
Saturday 04 August 2012
Dutch composer Richard Rijnvos believes that New York epitomises "the precarious equilibrium between chaos and order", a principle borne out in the two triptychs that comprise Uptown/Downtown.
Tuesday 31 July 2012
Formed in Aldeburgh only a few weeks ago, and drawing in musicians from four continents, the Aldeburgh World Orchestra is the newest youth band to grace the Proms, and under Mark Elder’s direction it gave a noble account of Britten’s "Sinfonia da Requiem".
Barenbolm/West-Eastern Divan Orchestra, Royal Albert Hall, London
Falstaff, Opera Holland Park, London
Sunday 29 July 2012
Daniel Barenboim displays persuasive subtlety and style with his complete cycle of Beethoven's symphonies at the Proms
Friday 27 July 2012
Brandon Flowers & Co's previous album brought forth the famous (infamous) lyric: "Are we human, or are we dancer?" But the artwork for the Nevadans' new LP Battle Born ups the ante. It features not only a lovely cod-metal lightning strike but a horse and a car (a mustang and a Mustang!) playing a game of chicken.
Monday 23 July 2012
When Glyndebourne invited Jonathan Kent and Paul Brown to realise Purcell’s ‘semi-opera’ The Fairy Queen, it was with slight trepidation, as they had no idea how this amalgam of Purcell’s music and filletings from Shakespeare’s A Midsummer Night’s Dream would go down.
Sunday 22 July 2012
A first wholly self-composed album by the white-country-bluesman and his furred-over smear of a voice. How big was that bushel?
Saturday 21 July 2012
Audacious, perhaps, to lure an audience of thousands with promises of Beethoven, then let Pierre Boulez steal the show. Daniel Barenboim and the West-Eastern Divan Orchestra placed Boulez’s Dérive 2, a work for 11 musicians that lasts for 50 unbroken minutes, at the core of the first evening of its complete Beethoven symphonies cycle. The result: a revelation.
Saturday 21 July 2012
The secret report that helps Israel hide facts
Land for gas: Merkel and Putin discussed secret deal could end Ukraine crisis
Woman and two children killed by mob in riots over 'blasphemous' Facebook post in Pakistan
Richard Dawkins tweets: 'Date rape is bad, stranger rape is worse'
Putin is 'thuggish, dishonest and reckless', says British ambassador to US
Boozy, ignorant, intolerant, but very polite – Britain as others see us
- 1 Pope Francis issues top 10 tips for happiness
- 2 Disney heiress Abigail disowns her share of family profits in West Bank company
- 3 The secret report that helps Israel hide facts
- 4 Now diplomacy has failed, boycotting Israel might be the only way we can protect the people of Gaza
- 5 Israel's propaganda machine is finally starting to misfire