Royal Festival Hall, London
Intrusive applause can spoil a classical concert, leading conductors tell Simon O'Hagan
Old stories ignite new passions as Oliver Knussen conducts Angelika Kirchschlager in The Rape of Lucretia, and Barbara Hannigan, James Gilchrist and Jasper de Waal join Amsterdam Sinfonietta for Les Illuminations and Serenade for Tenor, Horn and Strings.
Unveiling plans for his new Mariinsky theatre, vociferously backing Putin over Pussy Riot, and popping up as an improbable Father Christmas on Radio 3, Valery Gergiev has been hard to ignore this week. But his current exploration with the London Symphony Orchestra continues.
The Week in Arts: Has gender-blind casting gone too far? Plus the Mahler moaner and opera for students (bring your own crisps)
You wait for years for a helicopter and then... four come along at once, in Birmingham as in Edinburgh. What a whirl!
Concerto for hairies and orchestra
Ariel Pink’s latest outing with his band finds him scaling the foothills of musical competence on tracks like “Farewell American Primitive” and “Only in My Dreams”.
As their intensive Beethoven and Boulez series steams onward, you might expect the players of Daniel Barenboim’s West-Eastern Divan Orchestra to be wilting a little. Not a bit of it. This fourth concert held the work that many consider Beethoven’s finest symphonic gem, the Seventh – and if anyone’s mojo needed a shot in the arm, that was the place to be.
Audacious, perhaps, to lure an audience of thousands with promises of Beethoven, then let Pierre Boulez steal the show. Daniel Barenboim and the West-Eastern Divan Orchestra placed Boulez’s Dérive 2, a work for 11 musicians that lasts for 50 unbroken minutes, at the core of the first evening of its complete Beethoven symphonies cycle. The result: a revelation.
It's tough to make it as a conductor – so when 20 young stars were asked to perform for the great Bernard Haitink, the pressure was on. reports
Who's going to be rocking your world over the next 12 months? Read on...
They are in athletic mood at the Proms and in opera, but you might need your thermals...
A runaway success can be a mixed blessing for a composer: Rachmaninov grew to resent his C sharp minor Prelude, and Enescu his Romanian Rhapsodies, which distracted attention from the rest of their output. John Gardner's dangerous hit was the short choral piece "Tomorrow Shall Be My Dancing Day", the second of his Two Carols of 1965, which choristers around the world have been singing for almost five decades.
Just been punched by Nijinsky's sister