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Friday 03 June 2011
Trevor Nunn has realised a forty-year dream by at last directing Tom Stoppard’s first masterpiece Rosencrantz and Guildenstern are Dead, as the second production of his captivating season at the Theatre Royal Haymarket.
Sunday 01 May 2011
Friday 08 April 2011
The Victorian era is not generally regarded as one that greatly contributed to the progress of British theatre – and now the architecture of the age has scuppered a modern production.
Saturday 12 March 2011
Tuesday 08 March 2011
Sunday 23 January 2011
Friday 21 January 2011
To recap, then. Adam Mars-Jones, twice named one of Granta's Best Young British Novelists, despite never having produced anything reaching even 200 pages, suddenly published, in 2008, Pilcrow. This was the story of John Cromer, a cheery, inquisitive lad of the 1950s growing up with Still's Disease, an arthritic condition which, mistreated, leaves him physically stilted and bed-bound. It was, at over 500 pages, indisputably a novel; more than that, it was the first part of a trilogy. Not quite a case of three buses coming all at once, but at least we had the schedule.
Saturday 06 November 2010
A hotel complex in Ukraine, belonging to Alexander and Evgeny Lebedev, the owners of The Independent and the London Evening Standard, has been raided by police in an apparent row over the preservation of playwright Anton Chekhov's nearby house.
Thursday 29 July 2010
Thursday 29 July 2010
Sir Tom Stoppard is to work with BBC television for the first time in more than 30 years, making a five-hour epic tale of the Great War which he hopes will revive the reputation of one of Britain's finest novelists of the early 20th century, Ford Madox Ford.
Sunday 27 June 2010
Tuesday 22 June 2010
Reading and literature is in danger of being "swept away" by new technologies that are commanding more of children's time, the playwright Sir Tom Stoppard said yesterday.
Wednesday 19 May 2010
How do you make torture entertaining? How do you stage terror, infanticide, brutalisation and extraordinary rendition in a way that leaves your audience uplifted and in the mood for a drinks party? That's the problem that faced the Human Rights Watch organisation at the weekend, as they staged their benefit night at London's Royal Court Theatre. Rather than relying, as they have in previous years, on the reportage of individuals (which can be a recipe for earnestness and gloom), the organisers commissioned several mini-dramas from famous playwrights and actors, under the umbrella title The Laws of War. I checked the programme: there were nine events – an hour and a half of gruelling statistics and savage political satire, before we could hit the free wine. "Enjoy," said the ticket-tearer. I scanned her face for signs of irony.
Monday 17 May 2010
- 1 Disability campaigners celebrate 'victory' after government rethink over plans to make it more difficult to claim disability benefits
- 2 Bankers could face jail after report urges the Government to introduce new criminal offence for reckless management
- 3 Breaking the Silence: In the reality of occupation, there are no Palestinian civilians – only potential terrorists
- 4 We never knew Nigella Lawson - and we still don’t
- 5 Vice pulls 'breathtakingly tasteless' fashion shoot glorifying the suicides of famous female authors from Sylvia Plath to Virginia Woolf