You only needed to watch the animated trailer for Darkside – that's right, a trailer, with images, for radio. What madness is this? – to know it was going to be totally off its box. A toy farmer stood staring at the skies; giant angle grinders sliced up the earth; a figure sat on a hospital bed with a massive propeller where his head should be.
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Friday 03 June 2011
Trevor Nunn has realised a forty-year dream by at last directing Tom Stoppard’s first masterpiece Rosencrantz and Guildenstern are Dead, as the second production of his captivating season at the Theatre Royal Haymarket.
Sunday 01 May 2011
Friday 08 April 2011
The Victorian era is not generally regarded as one that greatly contributed to the progress of British theatre – and now the architecture of the age has scuppered a modern production.
Saturday 12 March 2011
Tuesday 08 March 2011
Sunday 23 January 2011
Friday 21 January 2011
To recap, then. Adam Mars-Jones, twice named one of Granta's Best Young British Novelists, despite never having produced anything reaching even 200 pages, suddenly published, in 2008, Pilcrow. This was the story of John Cromer, a cheery, inquisitive lad of the 1950s growing up with Still's Disease, an arthritic condition which, mistreated, leaves him physically stilted and bed-bound. It was, at over 500 pages, indisputably a novel; more than that, it was the first part of a trilogy. Not quite a case of three buses coming all at once, but at least we had the schedule.
Saturday 06 November 2010
A hotel complex in Ukraine, belonging to Alexander and Evgeny Lebedev, the owners of The Independent and the London Evening Standard, has been raided by police in an apparent row over the preservation of playwright Anton Chekhov's nearby house.
Thursday 29 July 2010
Sir Tom Stoppard is to work with BBC television for the first time in more than 30 years, making a five-hour epic tale of the Great War which he hopes will revive the reputation of one of Britain's finest novelists of the early 20th century, Ford Madox Ford.
Thursday 29 July 2010
Sunday 27 June 2010
Tuesday 22 June 2010
Reading and literature is in danger of being "swept away" by new technologies that are commanding more of children's time, the playwright Sir Tom Stoppard said yesterday.
Wednesday 19 May 2010
How do you make torture entertaining? How do you stage terror, infanticide, brutalisation and extraordinary rendition in a way that leaves your audience uplifted and in the mood for a drinks party? That's the problem that faced the Human Rights Watch organisation at the weekend, as they staged their benefit night at London's Royal Court Theatre. Rather than relying, as they have in previous years, on the reportage of individuals (which can be a recipe for earnestness and gloom), the organisers commissioned several mini-dramas from famous playwrights and actors, under the umbrella title The Laws of War. I checked the programme: there were nine events – an hour and a half of gruelling statistics and savage political satire, before we could hit the free wine. "Enjoy," said the ticket-tearer. I scanned her face for signs of irony.
Monday 17 May 2010
Friday 23 April 2010
Owing as much, or as little, to Noël Coward's Private Lives and Harold Pinter's Betrayal, as it does to his own deliciously quirky and provisional temperament, Tom Stoppard's marvellous 1982 comedy is, above all, a play about the theatre; or a play about love in the theatre; or a play about expressing love in the theatre, as opposed to love of the theatre.
If I’m being racially abused I don’t need a stranger with a saviour complex to rescue me
The only black face in the Ukip manifesto is on the page about overseas aid
Ukip is the only main political party to not address LGBT rights in its manifesto
Food banks: One million Britons will soon be using them, according to Trussell Trust
Religion isn't growing, it is becoming vigorous in its demise, says philosopher AC Grayling
BBC election debate: The one photo that summed up the whole 90-minute leaders debate
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- 5 Giorgio Armani criticises the way some gay men dress saying 'a man has to be a man'