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University Of The Arts London

Birmingham Conservatoire

History: Began life in 1859 as a department of the Birmingham and Midland Institute and was formally constituted as the Birmingham School of Music in 1886. The School became a part of the former Birmingham Polytechnic in 1971 whilst retaining conservatoire status, and remains part of Birmingham City University to the present day. 1989 saw the formal inauguration of the School under the name of Birmingham Conservatoire.

Trinity Laban Conservatoire of Music and Dance

TCM was founded in 1872 by Henry George Bonavia Hunt, after concern that church music had reached a low. At first, all students were male members of the Church of England. The college was established for practising and testing as well as teaching, so Trinity developed the first exam board. Laban, the centre of contemporary dance founded by influential dance practitioner Rudolf Laban, began life as the Art of Movement Studio in Manchester, before being renamed and moving to South East London in 1975. The two colleges merged in September 2005 to become Trinity Laban Conservatoire of Music and Dance, the UK's first HE institution specialising in music and dance. As a joint institution, the conservatoire is just six years old, but Trinity College of Music has been around for 140 years and Laban for 64.

Edinburgh College of Art

History: Although Edinburgh College of Art traces its roots back to 1729, it was founded as the Drawing Academy in 1760. In 1821, it became the Edinburgh School of Arts, changing its name 30 years later to the Watt Institution and School of Arts. Edinburgh College of Art was founded in 1907. It became part of the University of Edinburgh in August 2011 but retains its own identity.

Ryan Gander: Locked Room Scenario, Londonewcastle Depot, London

It was amazing, but you missed it: the legendary gig, the party, the good, sexy part of the Sixties, the Salon des Refusés, fluxus, punk, the first performance of Stravinsky and the Ballet Russes' The Rite of Spring, the first exhibition of Duchamp's fountain. Also, other things you might have missed – the chance to say goodbye, to apologise, to have a love affair, to be there on that night that everybody still laughs about now. It's in this gulf of missed or denied opportunities that Ryan Gander pitches his latest, elusive, project produced by Artangel.

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