Arts and Entertainment Robert Whitehead, Arthur Miller and Elia Kazan working on the production of the play 'After the Fall' in the Chelsea Hotel, 1963

Everything was permitted at the Chelsea, apart from attachment parenting

Food: Good taste - Moulinex Opticlick 2 hand blender

These days, it seems, it's almost compulsory to serve your piece de resistance main course on a bed of pureed celeriac or mustard mash. While many purists balk at the thought of using anything other than a mouli or a masher, food processors have always been the obvious alternative for those more concerned with a quick end result. On first viewing, the new Opticlick 2 may look remarkably like any other hand blender, until you discover that it comes complete with easily clicked-in attachments for pureeing and whisking.

Magnolia by any other name

Taupe, buff, stone, biscuit - good old beige is back as the colour of choice for our walls, says Felicity Cannell

'Our ley-line runs from the top of Glastonbury Tor through our garden and my bed'

Dulwich Art Gallery has pulled off a coup in getting those two legal eagles and bosom buddies, Cherie Blair and Hillary Clinton, to be joint Honorary Patrons of the first-ever exhibition devoted to the works of 17th-century Dutch artist Pieter de Hooch. An innovatory painter of interiors, de Hooch has long been overshadowed by his great contemporary, Vermeer, and fully merits this review, which will travel to Connecticut after the Dulwich show in the autumn. I wonder, however, if America's First Lady is aware that de Hooch's subject matter is somewhat racier than his irreproachably worthy colleague? As one study of his work notes: "He turned to genre paintings showing young men and women ... flirting in well-appointed interiors." Female figures appear in more than 25 of the 40 paintings due to be shown. If Hillary manages to drag Bill along from his onerous duties in the Oval Office, the Presidential couple would be well advised to avoid being photographed next to A Soldier Offering a Glass of Wine to a Seated Woman. Perhaps A Woman Delousing a Child's Hair might be more appropriate.

Britain's Jackson Pollock gives away pounds 1m of art

The artist known as the British Jackson Pollock yesterday donated works valued at more than pounds 1m worth of his works to the Scottish National Gallery of Modern Art.

Shopping: Sick of art

Under the counter with Lindsay Calder

A game of English patience

THE SQUARE; 6-10 Bruton Street, W1X 7AG. Tel: 0171 495 7100. Open Mon-Fri 12-3pm and 7-11pm. Sat 7-11pm. Sun 7-10pm. Three-course dinner costs pounds 39.50. Major credit cards accepted

Tragic obsessions keep cinema hooked on art

Film-makers love painters, especially if their lives were violent, says Matthew Mezey

CLASSICAL MUSIC: Schubert: Philharmonia / Dohnanyi; Gidon Kremer & friends RFH; Barbican

The Schubert bicentenary celebrations come with one built-in advantage: there's no shortage of material. The famous Deutsch catalogue lists nearly a thousands titles (with extensive song-cycles like Winterreise or Die schone Mullerin counting as just one work). And the proportion of that vast output that's actually worth hearing is astonishingly high - higher, dare one say, than is the case with Mozart.

Letters: When Britain held out hope to a boy who failed at school

Sir: Having grown up in the Fifties I was able to empathise with a great deal of what Peter Popham had to say about that decade ("Sad 1950s were hardly a golden age", 23 October). However, I found his conclusion that the Fifties were closed to outside influence extraordinary, even rural.

Living: Designs on your dustbin

Designers are transforming the idea of recycling by turning the stuff we throw away into stylish and ingeniously crafted objects. Jane Withers reports

Creativity: Why the spider would do well to stay in his parlour

YOU CAN dip them in ink and you can cover them with chocolate. Dead or alive, spiders have inspired a rare wealth of suggestions. Here is our classification:

The Sunday Preview: The five best exhibitions

High Art and Low Life (V&A, 071-938 8500, to 31 Oct). 200 exhibits from the 1890s. Good on the Studio magazine and an excellent survey of Beardsley.

THEATRE / To love, honour and dismay: Jeffrey Wainwright on The Taming of the Shrew at West Yorkshire Playhouse

WHEN, at the end of The Taming of the Shrew, it is clear Kate will now do her husband's bidding, the astonished Hortensio wonders what this bodes. 'Marry, peace it bodes, and love, and quiet life,' replies Petruchio. In this production Brian Protheroe delivers the lines with heartfelt relief. How much he, his director, Jude Kelly, and Nichola McAuliffe (who plays Kate) must wish Petruchio had stopped there and not gone on to attribute this consummation to his 'awful rule, and right supremacy'. The goal of their interpretation is to show Petruchio and Kate establishing a marriage based not on awe but mature respect. It's a tribute to their abilities that we do not have to peep through our fingers to see them bring this off.

ARTS / Picture Choice: William Green, the artist, explains why the work of Jackson Pollock encouraged him to get on his bike

I first saw Pollock's work in a French art magazine when I was at the RCA in the mid-Fifties and then at the Whitechapel show that Bryan Robertson organised. It led me to treat the activity of painting as an arena - to stretch across the canvas. The idea of disturbing the surface of the paint came from Pollock, though I never copied his dripping. I used other means: bicycles and fire. Summertime: Number 9A (right), in the Tate Gallery, is one of his greatest. It led me to be completely non-figurative. It was a liberation.
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