Swedish artist's drawings, collages and sculptures are wilfully naive but deceptively sophisticated
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Monday 10 November 2008
Friday 07 November 2008
Wednesday 05 November 2008
Wednesday 24 September 2008
Thursday 04 September 2008
Paris is showing Picasso's work alongside the great masters who influenced him. Now the Tate is planning to do the same for Turner. Neither artist would be embarrassed by the comparisons. Indeed, both set themselves up to vie with their predecessors. Arrogance, no doubt. Yet it is precisely that self-confidence, that reach to compare oneself with the very best, that makes a great artist. And in that reach also lies respect. You cannot fully comprehend the work of one giant without understanding their relationship with the influences of the past.
Saturday 26 April 2008
It is apt that Joseph Solman should have died in his sleep, in his 100th year, in the Manhattan apartment where he spent half his life. In a career that spanned nearly eight decades, Solman had lived through social realism, Cubism, expressionism and the Neo-Ashcan School, had championed and then rejected abstraction. In the course of all this, he made friends with artists far more extreme than himself, and whose names are much better known: among them Jackson Pollock and Marcus Rothkowitz, also known as Mark Rothko. Where Pollock died in a drunken car smash and Rothko by his own hand, though, Solman survived: never in thrall to a gallery, always his own man, happy to live over a kosher deli on 10th Street and Second Avenue.
Wednesday 26 March 2008
Sunday 20 January 2008
Two Francis Bacon paintings will go under the hammer next month, with rival auction houses each hoping that they set a new record price for the artist. Already, insiders suggest one of the works could top the highest amount paid at auction for a post-war piece.
Friday 11 January 2008
Friday 21 March 2003
Tuesday 22 June 1999
Friday 04 June 1999
Saturday 10 April 1999
Tuesday 16 March 1999
Sunday 28 February 1999
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