Hit Eighties' songwriter blames today's singers for taking the easy option
So, Schubert. He's inescapable, or at least he is on Radio 3. If you're not an admirer but a regular listener, you'll either have to decamp to Classic FM or seek refuge in silence which is, of course, unthinkable. I can't claim to be an authority on the composer since my knowledge of classical music can pretty much be summed up in Music for Babies, a CD that someone who didn't know me too well gave me when I was pregnant after it was claimed that exposure to classical music would increase my child's IQ. (To what extent it succeeded isn't clear). Pretty much all I know about Schubert is that he's the greatest songwriter since The Beatles. Hang on, that doesn't sound right....
When the drummer Michael Hossack jammed with the Doobie Brothers at Bimbo's 365 Club in San Francisco in June 1971, he proved such a natural fit alongside founding drummer John Hartman that the other two mainstays of the group, the guitarists, vocalists and songwriters Tom Johnston and Patrick Simmmons, asked him to perform with them at the Fillmore West. Within weeks, "Big Mike" Hossack and "Little John" Hartman forged a drumming partnership to match those driving the Grateful Dead and the Allman Brothers.
This first-rate spine-chiller notches up another hit production for the fledgling Northern Ireland Opera