Leif Ove Andsnes, Queen Elizabeth Hall

As the leading pianist of his native Norway, Leif Ove Andsnes has traded very effectively on his easy manner and camera-friendly looks, and the Queen Elizabeth hall was predictably packed.

Follow the lieder: Franz Schubert

The Week In Radio: Schubert shows it's easy to become hooked on classics

So, Schubert. He's inescapable, or at least he is on Radio 3. If you're not an admirer but a regular listener, you'll either have to decamp to Classic FM or seek refuge in silence which is, of course, unthinkable. I can't claim to be an authority on the composer since my knowledge of classical music can pretty much be summed up in Music for Babies, a CD that someone who didn't know me too well gave me when I was pregnant after it was claimed that exposure to classical music would increase my child's IQ. (To what extent it succeeded isn't clear). Pretty much all I know about Schubert is that he's the greatest songwriter since The Beatles. Hang on, that doesn't sound right....

Feinstein Ensemble/London Bach Singers, Purcell Room, London

‘Some people say Vivaldi wrote the same concerto five hundred times,’ said Steven Devine before starting his harpsichord recital in the Purcell Room. ‘And if that’s the case, you’re in for a pretty boring morning.’

Life is a Dream, Argyle Works, Birmingham

When the young Pierre Boulez said that opera houses should be blown up, he was attacking, not opera, but its cultural ambience- the snobbery, exclusivity and expense.

The Doobies: from left, the guitarists and singers Pat Simmons and Tom Johnston, Hossack and multi-instrumentalist John McFee

Michael Hossack: Drummer with the Doobie Brothers

When the drummer Michael Hossack jammed with the Doobie Brothers at Bimbo's 365 Club in San Francisco in June 1971, he proved such a natural fit alongside founding drummer John Hartman that the other two mainstays of the group, the guitarists, vocalists and songwriters Tom Johnston and Patrick Simmmons, asked him to perform with them at the Fillmore West. Within weeks, "Big Mike" Hossack and "Little John" Hartman forged a drumming partnership to match those driving the Grateful Dead and the Allman Brothers.

Album: Schubert, Unfinished Symphony – Tonhalle Orchestra Zurich/Zinman (RCA Red Seal

David Zinman's Mahler and Beethoven cycles with the Tonhalle exemplify the "third way" in historically informed performance practice.

Miles (Thomas Copeland) is found by his governess (Fiona Murphy) in 'The Turn of the Screw'

The Turn of the Screw, The Mill, Newtown Abbey
Surrogate Cities, Royal Festival Hall, London
Budapest Festival Orchestra, Royal Festival Hall, London

This first-rate spine-chiller notches up another hit production for the fledgling Northern Ireland Opera

Album: Mauro Giuliani, Country Dances, Études & Rossiniana (Newton Classics)

One normally thinks of the celebrated Spaniards when considering classical guitar music, but the 19th-century Italian Mauro Giuliani was highly regarded as a virtuoso and a composer.

Lianne La Havas, The Social

The crowd at tonight’s gig, which kicks off Lianne La Havas’ European tour, is probably very pleased that she’s been through a bad relationship.

Album: Ani Difranco, Which Side Are You On? (Righteous Babe)

Ani DiFranco's first album in three years finds the self-proclaimed Righteous Babe in feisty, thoughtful form, her political ardour undimmed despite a discernibly increased interest in the effects of ageing, particularly the way it deepens and matures the once callow emotions of love and devotion.

Album: Tino Contreras, El Jazz Mexicano de Tino Contreras (Jazzman)

Pre-Columbian jazz? The Mexican drummer and bandleader Tino Contreras pioneered the fusion of groovy, "Take Five"-like 1960s modernism with elements based on Aztec ritual and symbolism.

Album: Kathleen Edwards, Voyageur (Rounder)

For her fourth album, Canadian singer-songwriter Kathleen Edwards has drafted in Bon Iver's Justin Vernon as co-producer, along with guest singers and musicians including Norah Jones and S Carey.

Janelle Monáe's next album should be a huge hit

The Critics: Sounds of 2012

Who's going to be rocking your world over the next 12 months? Read on...

Album: Lisa Smirnova, Handel: Die Acht Grossen Suiten (ECM New Series)

The diversity of Handel's works, especially popular ones such as the Messiah, Royal Fireworks and Water Music, has tended to overshadow his keyboard compositions. T

Album: Gerard McChrystal, Aria (First Hand Recordings)

It's arguable whether the saxophone's particular qualities are better employed serving the dynamic freedoms of jazz than the tonal rigours of classical music, but McChrystal here makes a good case for classical composers to write more for the instrument.

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