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A bitter row over the existing skatepark has forced the centre to delay its £120m overhaul

The mane attraction at art exhibition

A customised coffin from Ghana in the shape of a lion, and another like a Mercedes, feature in an exhibition celebrating death.

College Choir of St John's celebrates 500th anniversary

As a punt chauffeur and recent graduate, I spent a summer ferrying tourists up and down the River Cam, spinning ludicrous yarns about the University. Two things about this most beautiful of journeys will have stayed in the river-goers' minds: colliding with other punts and the chapel of King's College.

Booker T/Percy Sledge, Royal Festival Hall, London

On the various levels of the Royal Festival Hall, the Southbank's Vintage festival is in full swing – quite literally on the mezzanine dancefloor, where period-clad couples whirl to a marvellous 1940s-style dance band.

Preview: John Cage - Every Day is a Good Day

A collection celebrating the work of avant-garde spectacular John Cage goes on display on Saturday.

Charles Rosen, Queen Elizabeth Hall

Asked last week to describe Charles Rosen, the Southbank Centre’s head of contemporary culture replied: ‘A god.’ And it was in that spirit that people packed the Purcell Room for this grizzled New Yorker’s pre-concert lecture.

Pinchas Zukerman/Royal Philharmonic, Royal Festival Hall

Pinchas Zukerman is a musician through whom history is stamped as through a stick of Brighton rock.

Arditti String Quartet, Queen Elizabeth Hall

The way the Arditti String Quartet played it, the London premiere of Harrison Birtwistle’s ‘The Tree of Strings’ was full of drama, both intended and unintended.

Philharmonia Orchestra/ Maazel, Royal Festival Hall

Watching Lorin Maazel in this the latest instalment of his Philharmonia Mahler cycle was a puzzling and unsettling experience. He was there and yet not there; he was controlled and yet not; he conducted from memory but with a curious detachment. How very strange that music he has loved and lived with all his long and distinguished career should yield so little of its spirit under his wavering baton.

Tindersticks, Queen Elizabeth Hall, London

An episode of cannibalistic sex is in one way tonight's gruesome climax – Béatrice Dalle chomping on an unfortunate lover – with Tindersticks carrying on in their usual hangdog manner. You realise then how intimate their relationship with the French film director Claire Denis is. They find the gore completely natural.

The Low Anthem, Queen Elizabeth Hall, Londo

We're only two songs in at the Queen Elizabeth Hall and already ill winds are blowing through a very delicate musical landscape. Ben Knox Miller, the lead singer and bandleader, is a mite displeased. "How come all your cameras," he swipes at the photographers crouching in front of the stage, capturing the last moments of the barely-there "Ticket Taker", "which I know are digital, still make a fake shutter sound?" Oops. Shush, everyone. It's The Low Anthem.

Steve Reich: Drumming, Queen Elizabeth Hall, London

Landmark work that's hard to beat

Preview Chouf Ouchouf

A mixture of contemporary performance and traditional modern acrobatics, Chouf Ouchouf, devised and directed by Zimmermann & de Perrot, performed by Groupe Acrobatique de Tangier, comes to London's Southbank Centre from 21-25 April.

Rumer, Royal Festival Hall, London

This time last year, a relatively unknown singer/songwriter named Rumer was celebrating the culmination of a decade-long slog for recognition with her first record deal. Since then, the 31-year-old hasn't wasted a moment making up for lost time.

Maurizio Pollinim Royal Festival Hall

Since Maurizio Pollini began his five-concert ‘project’ with the first half of Bach’s ‘Well-tempered Klavier’ - pianism’s Old Testament - it was appropriate that he should follow it with the last three works in Beethoven’s sonata cycle, aka pianism’s New Testament.

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