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Anish Kapoor

Music for Solaris: the mentoring process

The Australian experimental composer Ben Frost is in London to meet his mentor Brian Eno, ahead of their joint project at the Reykjavik Festival in Iceland this weekend.

Paddington's Merchant Square building is a bit of a mind-bender

Britain is awash with large commercial buildings whose façades have been tarted up with supposedly creative gubbins because planners encourage the so-called Per Cent For Art approach. We're not talking Anish Kapoor. Nine times out of ten, that 1 per cent of building cost pays for witless "artistic" glass fins projecting from façades.

The Diary: Anish Kapoor; Ben Barnes; Frieze Art Fair; Channel 4; Crash

Anish Kapoor has fallen victim to the artistic scourge that is health and safety while working on his large-scale work for London's Olympic stadium. Nervous officials have forced the artist to add a high mesh to the pedestrian walkway which winds its way up the 120m ArcelorMittal Orbit tower, both to prevent visitors from falling off and from throwing objects at the crowd below. "It's way over the top, irritatingly over the top, but that's life," says Kapoor. "You have to, kicking and screaming, find a way to negotiate those things. They are really hard work – you either cave in or you say, 'I want to do it that way, we'll have to find a way to make it work.' I'm a horrible fighter." Further afield, the sculptor is preparing to open his first exhibitions in his native India – one at the National Museum in Delhi and another in a spectacular Bollywood film studio in Mumbai – and is working on a plan to fill Paris' Grand Palais (the French equivalent of Tate Modern's Turbine Hall commission) in 2011. Details are still top secret but the work will involve inflatables. "It's playing an architectural game, reversing what's inside and outside the building," he adds.

Anish Kapoor, Royal Academy, London

The silliest work in the Anish Kapoor exhibition is a kind of shooting range. A cannon is aimed through one of the Royal Academy's ornate doorways. (The public are safely held back.) Every 20 minutes, an operator loads it with a bucketful of deep red gunk. It fires. The gunk hits the wall through the doorway, dribbles down, piling up at the bottom, with much spatter. This will accumulate over the next three months.

Anish Kapoor: Maverick let loose in art's hall of fame

He is both loved by the public and respected by his peers, and soon the Royal Academy will host a huge retrospective by one of the most distinctive artists in its prestigious inner circle. Charles Darwent meets Anish Kapoor

Roma Tearne: 'The success of serious novelists from the subcontinent

The day before I left Sri Lanka, I went down to the beach at Mount Lavinia. There are three rocks close to the sand and, using a penknife, I carved my name on one of them. Roma Chrysostom, Colombo, Ceylon, Asia. The World. The Universe. I was a 10-year-old half-Tamil, half-Sinhalese girl on her way to the UK. What followed was not what I expected. Britain in the Sixties was not a place that had much patience with a girl like me living with my family in a depressed part of London. Long before I took my A-levels in English, I was aware that survival depended on the need to integrate into the life of my host country. So out went the Asian accent, the memories of frangipani, and all desire to wear a sari.

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Sculptors go to war with Boris

Leading figures from the arts world criticised Boris Johnson, the new Mayor of London, and said he would be forced into an embarrassing climbdown over his pledge to scrap the competition for a temporary work of art to be placed on the empty plinth in Trafalgar Square every 18 months.