The third album by the three young Polish unpronounceables who used to back trumpeter Tomasz Stanko is close to a total triumph.
A quartet of avantly inclined souls – including Derek Bailey's drum chum Steve Noble and Stephen O'Malley, guitarist in Sunn0))) – getting into some sort of weird anti-groove live in Oslo.
Edwards is trumpeter-by-appointment to the alt-rock elite (he's worked with the likes of Siouxsie, Jerry Dammers and Madness), and best-known for his albums reinterpreting the works of Miles Davis, the Jesus and Mary Chain and the Fall.
Music: I always listen to the great old jazz artists such as John Coltrane, Dizzy Gillespie and Miles Davis. They are my constant companions and inspiration as their music drives me to practice more, to try to perfect my art. I also listen to bands like Vampire Weekend, who are listening to Afrobeat and reinterpreting it for new audiences.
They don't come any more uncategorisable than this.
Completely mad 1968 European free-jazz/acid rock mash-up, with French saxophonist Wilen (he played with Miles Davis) leading a double trio – one jazz, one rock – with Joachim Kuhn on keyboards and Aldo Romano on drums among the musicians.
Richard Young Gallery is launching a new exhibition of portraits by photographer Tim Motion.
The pianist Dave Stapleton may have the name of a suburban postman but he knows how to shape a 21st-century modern-jazz unit.
With his band the MGs, Booker T was the resident genius at one of America's great soul labels. Now, with a bit of help from Neil Young, he's turning off his organ and enrolling in the school of rock
A modest and gentle fellow, the trumpeter Ian Carr was surprised when, as leader of the band Nucleus in 1970, he was thrust suddenly to the crest of the American jazz-rock boom. An ingénue to fame, he reacted to his instant eminence as incredulously as William Boot had in Evelyn Waugh's Scoop.
English jazz-rock in the mid-Seventies was a stealthy project and an acquired taste.
Jack Hutton was the highly professional and dynamic editor of Melody Maker who ensured the music paper's transition from the jazz age into the Beatles era and beyond. A lifelong journalist, publisher and keen jazz trumpeter, he launched many new successful titles including Sounds and Kerrang! As a journalist he met and interviewed an extraordinary range of stars, from Charlie Chaplin to Miles Davis and John Lennon. As an editor he knew how to bring together the best writers, photographers and designers, while setting new standards of production.