Arts and Entertainment

It says a lot about how seriously people take the Grammy Awards that a video of Taylor Swift's performance of All Too Well has attracted around 180,000 views, while a 28-second clip of it complete with high kicks from Street Fighter's Ryu has already clocked over 2.2 million.

Jazz album review: Michael Garrick Sextet, Prelude To Heart Is A Locus (Gearbox)

With its satisfyingly fat vinyl platters, audiophile-friendly downloads and imaginative catalogue of rediscovered gems (plus new recordings), LP specialist Gearbox is becoming one of the wonders of the age.

Album review: Ahmad Jamal, Saturday Morning (Jazz Village)

It’s not unusual for jazz artists to have a late-career renaissance, even one that – Claude Monet-style – demands a reassessment of everything that went before.

One minute with: Lucy Worsley, historian/curator

Where are you now and what can you see?

Classical review: Roman Trekel's Wigmore recital is both riveting and perverse

Roman Trekel, Malcolm Martineau

Walton mastered the art of writing catchy but challenging material

Cedar Walton: Pianist and bandleader who played with Coltrane

The pianist, composer Cedar Walton has been known to jazz audiences for over five decades, and is likely to be remembered as an exemplar for fellow musicians, rather than a populist hero. But his association with the group of Art Blakey, and a briefer one with John Coltrane, gave him the necessary background for a successful career as a bandleader in his own right.

Album: Goldfrapp, Tales of Us (Mute)

The peculiar flip-flop trajectory of Goldfrapp’s career continues with Tales of Us, on which they eschew the electropop of 2010’s Head First in favour of a more sensuous, intimate style that owes much to Kate Bush.

Album: London Grammar, If You Wait (Metal & Dust)

London Grammar have spent  18 months preparing to be an overnight success, which care and attention pays dividends on If You Wait.

Album review: Justin Currie, Lower Reaches (Endless Shipwreck/Ignition)

Justin Currie is one of the more engaging personages in pop – his website is, hands down, the quirkiest and most articulate of any celebrity – which makes his continuing fidelity to fairly routine American musical modes somewhat frustrating.

Julia Holter: 'My mom can't play trumpet but I'd want her on it'

Fantasy band: Julia Holter

'My mom can't play trumpet but I'd want her on it'

Edinburgh International Festival Opening concert

Edinburgh 2013: Official Festival Opening concert, ALexander Nevsky, Valery Gergiev

What a thrilling start to Jonathan Mills' penultimate International festival: the RSNO in excoriating form, the Festival Chorus, with beefed-up bass section, singing in stirring Russian and clearly-enunciated Latin, all with puppetmaster Valery Gergiev pulling their strings.

Bell X1, Chop Chop (Belly Up Records)

What's surprising about this Dublin band's sixth album is that they've created a wholly original sound without resorting to samples or other electronic gadgetry.

Album review: Peter Maxwell Davies, Piano Works 1949-2009 (Prima Facie)

Though best known for his large-scale works, this anthology suggests that in his own way, Peter Maxwell Davies may be as distinctive a piano miniaturist as Erik Satie. His Orkney home is clearly the biggest influence in this regard: works such as “Three Sanday Places”, “Snow Cloud, over Lochan”, “Yesnaby Ground” and the popular “Farewell to Stromness” are simple but deeply satisfying evocations of place, weather and character. Elsewhere, “Six Secret Songs” and “Five Little Pieces for Piano” are sketches of Borgesian brevity, some condensing impressive development into a tiny frame, while others have the impromptu manner of cartoons. Considerably more complex is the engrossing seven-part “Piano Sonata”.

Album review: William Sweeney, Tree O' Licht (Delphian)

The cello is key to the music of William Sweeney, something that becomes luminously apparent in these works showcasing the skills of Robert Irvine, either solo or partnered by pianist Fali Pavri or second cellist Erkki Lahesmaa. Inspired by Gaelic psalm-singing, the title track features the two cellists' lines intertwining like a double helix: the effect resembles a lower-register "Lark Ascending", until a pungent dischord appears, prompting more disparate progressions. "Sonata for Cello and Piano" offers an intriguing combination of exploration and introspection. But "The Poet Tells of His Fame" is the standout performance, Irvine playing over pre-recorded cello samples treated to give a series of tonal washes, whines and textures.

Classical review: Prom 26 - Oliver Knussen shows brilliance as both curator and conductor

A concert curated and conducted by Oliver Knussen has as much interest as a new piece by this most reclusive and original of British composers. And Prom 26 – whose works he seems to have chosen because they reflect a fastidious control of detail equal to his own – allowed things which are not normally juxtaposed to shed fresh light on each other.

Album: Mogwai, Les Revenants (Rock Action)

Mogwai's latest album is the soundtrack to the acclaimed French supernatural drama series The Returned, and they've done a respectful job of augmenting the atmosphere of melancholy, contemplation and unease.

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