Arts and Entertainment

It says a lot about how seriously people take the Grammy Awards that a video of Taylor Swift's performance of All Too Well has attracted around 180,000 views, while a 28-second clip of it complete with high kicks from Street Fighter's Ryu has already clocked over 2.2 million.

Album review: Zomby, With Love (4AD)

A 33-track double-album follow-up to Dedication, Zomby's 2011 breakthrough, With Love is aesthetically suspended between the indulgent and austere poles of the last two decades of electronic music, with the jittery programmed sequences, drum'n'bass stutters and breakbeats haunted by melancholy synth ambiences evocative of urban alienation.

Album review: Kodaline, In a Perfect World (B-Unique)

An Irish quartet with sights clearly set on the world's stadiums, Kodaline offer a musical barometer of bankable current rock trends, but display scant originality on this debut album.

Album review: Sigur Rós, Kveikur (XL)

Kveikur finds Sigur Rós in more forceful and declamatory mood than usual, a shift heralded by the explosion that ushers in the heavy guitar riff and juddering bass of “Brennisteinn”.

German pianist Klavier Kunst (L) performs with an unidentified activist at Taksim Square in Istanbul, Turkey

Turkey protests: The 'peace pianist' trying to bring calm to Taksim Square

The soothing sound of a grand piano drifted across Taksim Square last night, bringing a welcome calm a day after violence rocked the area.

Album: Michael Janisch, Jazz for Babies (Whirlwind/Cadiz)

Appalled by the synthetic-sounding CDs available, bassist and new dad Michael Janisch decided to create his own: a now five-disc selection of "slow and relaxing" jazz lullabies performed on real instruments by real musicians to soothe and educate wombers to pre-schoolers.

Album review: Tamsin Waley-Cohen, Huw Watkins, An American In Paris (Champs Hill)

This debut programme from the gifted young violinist Tamsin Waley-Cohen is themed around Euro-American musical interaction of the inter-war years, when classical composition was becoming influenced by black American idioms.

Album review: These New Puritans, Field Of Reeds (Infectious)

This third offering from These New Puritans is distinctly uneasy listening. Poised on the cusp of indie and classical, there is a laborious, tortuous formality about songs such as “Fragment Two” and “V”, with their peculiar, jerky time-signatures and lowering orchestrations.

Album review: Queens Of The Stone Age, ...Like Clockwork (Matador)

Since 2007's Era Vulgaris, Josh Homme has undergone both life-threatening medical emergency and life-affirming parenthood, band break-up and superstar collaboration, all of which made recording this follow-up rather fraught – hence the ironic title.

Album review: KT Tunstall, Invisible Empire//Crescent Moon (Virgin)

KT Tunstall's fourth album is by some distance her best, offering a series of deeply-felt musings on mortality, mercy and memory. Recorded at Howe Gelb's Wavelab Studio in Arizona in two sessions separated by a season – hence the different titles for the separate “sides” – it reflects her response to the death of her father, the first side's sensitive, reactions gradually supplanted by a new emotional light as her branches become strong enough to “play with the wind” and “carry the snow” again.

Classical review: Steven Osborne, Queen Elizabeth Hall/ Richard Goode, Wigmore hall, London

For Olivier Messiaen, birds were ‘the most outstanding musicians on our planet’, and it was typical of his serene imperviousness to brute reality that, while Paris burned around him in 1944, he should garland the themes of his supreme piano work with birdsong.

Album: Various artists, The Beautiful Old (Doubloon)

A fascinating collection of songs from the 19th and early 20th centuries – the era before commercial recording, when a song stood or fell by its performance as domestic sheet music.

Smart moves: Romain Duris and Déborah François in 'Populaire'

Stroke victims show signs of recovery following pioneering stem cell therapy

Five stroke victims have shown small signs of recovery following pioneering stem cell therapy.

In Dublin, Jonny Wilkinson's presence was punctuated by his ability to split the posts as his four kicks delivered a perfect 100 per cent return

Heineken Cup final: Jonny Wilkinson alive and still kicking for Toulon

It came close to topping the drama of Sydney 10 years ago, and the margins were just as thin as Jonny Wilkinson held up his end of the bargain by winning a first Heineken Cup for both himself and Toulon.

Album: Schubert, Winterreise - Alice Coote/Julius Drake (Wigmore Hall Live)

Female artists have sung Winterreise before, but not with the intensity of mezzo-soprano Alice Coote.

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