Tate Britain recreates Dutch pavilion for Barbara Hepworth exhibition

Barbara Hepworth: Sculpture for a Modern World will feature over 100 works, from early carvings to the later works in bronze and wood

Nick Clark
Tuesday 23 June 2015 07:25
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Barbara Hepworth’s ‘Sphere with inner form’ from the 1960s at the Tate Britain exhibition
Barbara Hepworth’s ‘Sphere with inner form’ from the 1960s at the Tate Britain exhibition

Half a century ago Barbara Hepworth, one of Britain’s most important sculptors, praised a Dutch pavilion displaying her bronzes as the ideal setting for her work.

Now, Tate Britain has recreated that pavilion as the climax of its new Hepworth retrospective, the first major London show since 1968.

In doing so, outgoing gallery director Penelope Curtis revealed it needed a Europe-wide search for the right bricks – only for it to end just half a mile away in Vauxhall.

Barbara Hepworth: Sculpture for a Modern World opens on 24 June, featuring more than 100 works, from early carvings to the later works in bronze and wood. It also displays the personal photograph albums compiled with her second husband Ben Nicholson.

Dr Curtis said: “We did a great deal of work sourcing the right kind of bricks, which came from a builder’s yard in Vauxhall,” adding: “But we’ve been all round Europe looking for the right kind of brick before we got there.”

Personal photograph albums compiled with the artist’s second husband are on display

The exhibition also features the sketches and a maquette for Hepworth’s sculpture designs for the four plinths at each corner of Waterloo Bridge.

Six sculptors including Henry Moore, Jacob Epstein and Hepworth were invited to pitch in 1947, but the project was shelved after London County Council said nothing met their requirements. The plinths remain empty.

Assistant curator Inga Fraser said: “She was incredibly excited by the competition,” but added it was “plagued with difficulties from the very beginning.” Ms Fraser said she “really took it seriously” sitting on Waterloo Bridge and sketching those who walked over it.

“Reading between the lines,” the assistant curator continued “they wanted Henry Moore, but he couldn’t do it”. The other artists invited were Charles Wheeler, Frank Dobson and Eric Kennington.

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