BOOKS / 'The Loves of the Gods: Mythological Painting from Watteau to David' - Colin Bailey: Rizzoli, 50 pounds

Saturday 01 August 1992 23:02 BST

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

(Photograph omitted)

Naughty but nice? The amours of the Olympians gave 18th-century French masters scope for acres of cream-cake flesh and compositions as grandiose as that self-important century demanded, as Colin Bailey shows in his weighty, definitive study The Loves of the Gods: Mythological Painting from Watteau to David (Rizzoli pounds 50). Above: Noel-Nicolas Coypel's 'The Rape of Europa'

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

BOOKS / 'The Loves of the Gods: Mythological Painting from Watteau to David' - Colin Bailey: Rizzoli, 50 pounds

Join our commenting forum

Thank you for registering