Alan Moore: Storyteller, By Gary Spencer Millidge

Moore is no ordinary gentleman

Paul Gravett
Tuesday 02 August 2011 00:00 BST

Writer, artist, historian, critic, anarchist, autodidact, singer-songwriter, screenwriter, performance artist, magician, snake-god worshipper, Northampton celebrity, global cult figure. Alan Moore might seem too multi-faceted to be called only a "storyteller". But weaving words into stories to work their spells on his reader's consciousness is central to his practice. For Moore's 50th birthday, in 2003, Gary Spencer Millidge co-edited an anthology in which he collaged a 12-page biography of Moore, in strip form. Here, Millidge has over 300 pages in which to examine Moore's emergence from underprivileged childhood and expulsion from school for drug-dealing to a remarkable blossoming as the most relentlessly inventive writer in contemporary comics and beyond.

The most intriguing chapters open and close this monograph. "Embryonic Genius" reveals Moore's early years. His first published work, in 1969, was an advertisement for a London science-fiction bookshop, Dark They Were And Golden-Eyed. It was followed by poetry magazines, Arts Lab performances and strips for the music weekly Sounds. Too slow an artist, he found his calling as a comics writer.

His trajectory from 2000AD, Warrior and other British titles to Watchmen, V for Vendetta, From Hell and The League of Extraordinary Gentlemen is covered methodically. Millidge's accessible if sometimes un-incisive commentary and generous observations from Moore accompany reproductions from each comic.

Millidge inserts a few rarities, notably a V script "rejected" by artist/co-creator David Lloyd and a huge handwritten chart mapping Moore's cast across 12 issues of Big Numbers. In a revelatory penultimate chapter, we glimpse Moore's creative process. As a comic artist, he "thumbnails" compact, crude page layouts and scrawls script notes, comprehensible only to him, into notebooks. So we see that his notoriously meticulous scripts, of which several extracts are reproduced, derive from these preparatory visualisations, unseen by most of his artistic collaborators.

Moore eschews America's comic and film industries to pursue personal projects, from the underground magazine Dodgem Logic to multimedia events. Of the many stories he has told, his ongoing odyssey of self-creation is almost certainly the most fantastical.

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