This encyclopedic brick of a book takes us from the silent cinema era and William de Mille to the early Hollywood studio system, Renoir, the money side of film, colour musicals and a comprehensive brief on world cinema.
It parks itself, by the end, in the near present, with the likes of Inception and The Social Network. Its greatest achievement is a strong narrative thread, rendering it a good sequential read, rather than a mere reference book. To quibble over its few omissions is to be pedantic.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Bookmark popover
Removed from bookmarks