The articles collected in Vintage's new edition of The Art of Fiction appeared in this newspaper from 1991-92.
In them, David Lodge deconstructs the novelist's craft, taking in concepts such as stream of consciousness, intertextuality and the unreliable narrator, and illustrating each topic with an extract from a major work. Lodge's selections are somewhat conservative, but his analyses are persuasive.
He eschews the esoteric tendency of literary theory and writes in an accessible mode, combining the insights of a seasoned scholar with the lapidary prose of a fine journalist. His approach has worn well: these essays are as fresh and as readable as ever.
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