If you have little love for recent poetry, wake up and smell James Fenton's Yellow Tulips.
This fine collection offers mystery and delight, virtuosity, accessibility - and sheer mischief.
From early landmarks such as "A German Requiem" to fresher fiestas of fireworks and fun ("A Manila Manifesto"; "Spanish Songs"), he can pimp even "light" verse into a vehicle for all the burdens and perplexities of tragic modern history and absurd daily life - the sort of life you might, as in a much-loved Fenton poem, take out and dump in "The Skip".
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments