Box-office chart

Thursday 16 January 1997 00:02 GMT

Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

TOP 10 LONDON

Total Gross

1 (1) Evita (pounds 5,339,076) US

2 (3) Sleepers (pounds 3,934,911) US

3 (2) 101 Dalmatians (pounds 15,195,777) US

4 (4) Matilda (pounds 5,272,384) US

5 (5) Star Trek: First Contact (pounds 8,115,153) US

6 (6) Daylight (pounds 2,990,479) US

7 (-) The Mirror Has Two Faces (pounds 334,312) US

8 (8) Shine (pounds 440,111) US

9 (-) Some Mother's Son (pounds 897,661) US/Ire

10 (10) Michael Collins (pounds 6,776,268) US/GB

Chart supplied by 'Screen International'

Divas dominate this week with Madonna (right) as Evita clinging to the top for a fourth week; The Mirror Has Two Faces putting Barbra on the map; and Helen Mirren's IRA mother slipping in above Liam Neeson's revolutionary hero at No 9.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Stay up to date with notifications from The Independent

Thank you for registering

Box-office chart

Bookmark popover

Join our commenting forum

Thank you for registering