Album: Coprario, Funeral Teares, (Zigzag)

Sunday 21 June 2009 00:00 BST

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Born plain John Cooper, Giovanni Coprario became one of the most successful musicians of early 17th-century England and an inadvertent chronicler of deaths and marriages.

"Funeral Teares" (1606) is a monument to Charles "Mountjoy" Blount, Songs of Mourning (1613) a response to the death of Prince Henry, Masque of Squires (1614), to celebrate a royal wedding. Soprano Anne Delafosse-Quentin and counter tenor Paulin Bündgen's historical pronunciation sounds distinctly Scottish. The viols, lute and harp are, however, reliably Italianate.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Stay up to date with notifications from The Independent

Thank you for registering

Album: Coprario, Funeral Teares, (Zigzag)

Join our commenting forum

Thank you for registering