Album: Isang Yun, Concertino; Duo; Intermezzo; Pezzo Fantasioso (Wergo)
The concertina rarely features in classical music outside the work of Astor Piazzolla or Pauline Oliveiros, and its use alongside strings in these four pieces is indicative of the Korean composer Isang Yun's fondness for unusual instrumental combinations. The Taoist principles behind his work are perhaps most evident in the rising figures representing the shift from darkness to light in Duo, or the contrast between the high, bird-like violins and the vibrant chord-clusters of Stefan Hussong's accordion in Concertino. Originally scored for cello and piano, Intermezzo is less diverse, with the cello's bowed lowing occupying similar space to the accompanying accordion drone.
DOWNLOAD THIS Concertino; Duo
Subscribe to Independent Premium to bookmark this article
Want to bookmark your favourite articles and stories to read or reference later? Start your Independent Premium subscription today.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies