Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Album: Nikolaus Harnoncourt, Haydn: Die Jahreszeiten (Sony Classical)

Andy Gill
Friday 22 May 2009 00:00 BST
Comments

The Seasons was Haydn's final oratorio, a secular equivalent of his sacred The Creation, albeit based on less-imposing source material than Paradise Lost.

Haydn's Seasons was rooted in childhood memories of rustic life, applied to the libretto of Gottfried van Swieten, whose corny suggestions – croaking frogs, chirping crickets – so irritated the composer. They didn't prevent him imposing his metaphorical system, in which the seasons represent the stages of human life, from the lightness of spring, to the arthritic winter with intimations of death – well evoked by Nikolaus Harnoncourt and the Arnold Schoenberg Choir.

Download this: "O Wie Lieblich Ist Der Anblick", "Dann Bricht Der Grosse Morgen An"

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in