Patrick Hawes is rather like the Piers Gough of British classical composers, firmly adhering to the tried and trusted values of an earlier era, notably the Anglican church and English landscape celebrated in these 15 pieces. Not that he's devoid of surprise: the soprano vocal of "Cantate Domino" is set to organ and baritone sax, a curious but effective contrast, while the sawing strings of The Raven Quartet on "Ascension" have just a hint of minimalism about them. But the sun-dappled contentment of his "Three Broadland Piano Preludes" and the tender, bosky pastoralism of "Fair Albion" itself are much more indicative of his leanings.
Download this Fair Albion; Ascension; Quanta Qualia; Fair Albion
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