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Oscars 2019: Rachel Weisz on award ceremonies, shooting The Favourite, and her new LGBT+ admirers

She's got an Oscar nomination for best supporting actress for ‘The Favourite’. But the actor tells Kyle Buchanan that the real vote of confidence has been the reaction from fans

Thursday 14 February 2019 17:51 GMT
Weisz has become the film’s trending topic online
Weisz has become the film’s trending topic online (Getty)

Rachel Weisz, a star of The Favourite, won the prize for best supporting actress this past Sunday at the Baftas. The night before, she received an even more important vote of confidence.

“A woman came up to me at dinner,” Weisz recalls, “and she looked me in the eyes and said, ‘On behalf of all the lesbians, I wanted to say thank you.’”

So it goes for the 48-year-old Weisz, who spent the last cinematic year exploring same-sex attraction in very different milieus. In Disobedience, released in April, Weisz and Rachel McAdams played women whose passionate affair scandalises the Orthodox Jewish community they grew up in, while in The Favourite, from November, Weisz jousted with Emma Stone as court advisers willing to bed the feeble Queen Anne (Olivia Colman) if it would bestow an advantage in their 18th-century games of manipulation.

Weisz, Stone and Colman all received Oscar nominations for The Favourite, but Weisz may have the best shot at winning her wide-open category, and she has become the film’s trending topic online. Her crafty, confident performance has so bewitched viewers that after a fan on the Baftas red carpet asked Weisz to record a smartphone video saying “gay rights”: the two-second clip quickly went viral among her female admirers.

Weisz plays a court adviser to Olivia Colman’ Queen Anne in ‘The Favourite’ (AP)

“I think almost every other film I’ve done has been in relation to a man,” says Weisz, who is married to Daniel Craig and is best known for roles in The Mummy and The Constant Gardener, the latter earning her an Oscar. “It’s unbelievably refreshing and invigorating for me to have now done two films opposite women.”

In a controversial move, the Oscars will be announcing the winners of four categories during the commercial breaks of the telecast, then editing those results into a clip package. The Favourite is nominated in two of those races, for cinematography and editing. What do you make of that decision?

I didn’t know that was the case! I don’t think that’s right at all: cinematography and editing couldn’t be more important. It was lovely that at the Oscar nominees’ luncheon you got to be among people who work in special effects, editing, sound – “egalitarian” is the best way of putting it. If I was in charge, I wouldn’t do that.

Weisz with Rachel McAdams and Alessandro Nivola in 2017 north London-set drama ‘Disobedience’

In Hollywood, an actress can make multiple movies where she’s the only notable female character. It must be gratifying to make a film like The Favourite, where three women go toe to toe.

I don’t believe I’ve been in many films where I’ve been in deep conversations with women, let alone in bed with them! I really savoured exploring those relationships. They’re kind, cruel, sadistic, needy, vulnerable, Machiavellian, ridiculous and absurd. They have many, many things going on, which is what makes us human.

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Olivia Colman won the Bafta, and in her speech, she said the three of you were all leads in The Favourite. Would you concur, or do you consider yourself a supporting actress, as you and Emma have both been campaigned all season?

Olivia told me, “I must say how incredible it is that you and Emma agreed to that,” but I don’t think either of us gave it a second thought. It was decided by people who are specialists in these things, and it seemed incredibly natural: narratively, we’re both supporting the queen, so she’s got to be the lead. She is the centre of England and the centre of our lives – even if she desperately needs us to prop her up in the story, which is what my character thinks.

Olivia also memorably referred to you and Emma as “her bitches” while accepting a Golden Globe. You were both beaming.

I mean, it’s just heaven, isn’t it? She’s got a potty mouth, and what you saw is the polite version. But she’s delicious, and so full of love.

What has The Favourite director Yorgos Lanthimos made of this Oscar season, which involves so many months of handshakes, Q&As and awards ceremonies?

He seems to me to be very proud and happy, but he’s not a schmoozer in any way. It was the thing that I immediately liked about him when we met. I actually reached out to him after I saw his film Dogtooth, and the person I met then in a pub in north London spoke in exactly the same way as the person who received the Bafta for outstanding British film the other night.

Weisz at the Baftas last Sunday (PA)

Which is how?

I always use the word “deadpan”, but he hates it. He doesn’t think of anything he does as deadpan. He just sees it as truthful.

By now, you must have a sixth sense of how to modulate your acting based on where the camera is. But in The Favourite, the camera is frequently put in the most atypical places. How does that affect things?

I did notice Yorgos wasn’t telling us, “You have to stand there,” but then again, he doesn’t tell you he’s going to use a low-angle, fish-eye lens. He doesn’t tell you anything. He doesn’t even talk to you about the scene or your motivation. You can’t ask him a question like, “Why is my character doing this?” because he wouldn’t answer you.

What does he tell you?

He might say something like, “Do it a bit faster.” Or “Do it a lot faster.”

He may not want to be called deadpan, but Yorgos can certainly keep a straight face. Do you have the power to make him laugh?

I can make him laugh over a glass of wine, but do you mean in a performance? No, I don’t recall having made him laugh in any film. He would never want to let us know that it was funny, because then we’d be trying to make it funny.

Weisz won an Oscar for ‘The Constant Gardener’ (Rex)

The very first awards ceremony you ever attended was the 2006 Golden Globes, where you won for The Constant Gardener. What do you remember about that night?

That I had big hair. It’s very surreal the first time you attend an awards ceremony, and I was pregnant, so I couldn’t have a drink to relax. It’s like a dinner party where there are cameras in your face, and you’re surrounded by people you don’t really know but you recognise. I remember seeing Oprah Winfrey at the next table and thinking, “Oh my goodness!”

Did you have any idea then just how much your feet would hurt after a season spent primarily in high heels?

Oh, forget it! I’d love to just go in sneakers to these things, but that would just call attention to itself.

© The New York Times

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