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A trailer for Tommy Wiseau ‘s Big Shark has been released.
According to Film Futter (via Bloody Disgusting The Room at London’s Prince Charles Cinema, where he added that the film would be set in New Orleans, a city that he says means a great deal to him.
The teaser reveals that Wiseau will play a character named Patrick, with The Room star Greg Sestero also featured in the role of Georgie, alongside Isaiah LaBorde.
Sestero explained that the film is about three firefighters who team up to save the world.
Filming for the project will reportedly take place sometime this year, with the teaser functioning only as a pitch for financiers.
Show all 10 1 /10The 10 worst Oscar Best Picture winners The 10 worst Oscar Best Picture winners 10. The Life of Emile Zola Prestige counts at the Oscars. That is why a stodgy literary biopic like The Life of Emile Zola somehow won the main award at the 1937 Oscars. It’s a solid and worthy piece of work, with a grandstanding performance from Paul Muni (under a lot of whiskers) as the campaigning French novelist. The idea, though, that it is one of the “few truly great pictures of all time”, as its own publicity suggested, is clearly idiotic.
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The 10 worst Oscar Best Picture winners 9. Rocky It may seem churlish to go after an underdog like Rocky but this was an undeserving Best Picture winner. The Academy voters in 1976 acted as if they were punch drunk and had spent too long in the ring with Apollo Creed. The problem with its victory wasn’t so much the film itself but with the other nominees that were spurned in its favour. Taxi Driver, All the President’s Men and Network all surely had a better claim to that year’s statuette.
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The 10 worst Oscar Best Picture winners 8. Around the World in 80 Days This was a perfectly amiable big-budget travelogue but you can’t help but suspect its Best Picture Oscar was more to do with the marketing and hustling skills of its producer, Mike Todd, than with any brilliance in the filmmaking. It was directed by the Englishman Michael Anderson, previously best known for The Dam Busters, and featured David Niven as the intrepid traveller, Phileas Fogg, who bets he can travel all the way round the world in a little over two months.
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The 10 worst Oscar Best Picture winners 7. Crash Paul Haggis’s Crash is a decent and well-meaning study of the consequences of racism and violence in contemporary LA. It was independently made and had a large ensemble cast, all giving heartfelt performances. However, Robert Altman had covered similar territory better in Short Cuts and the feeling persisted that it had won the Best Picture award because some Academy voters were determined not to give the Oscar to the gay-themed contemporary western Brokeback Mountain.
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The 10 worst Oscar Best Picture winners 6. Chicago You rarely win an Oscar without a strong marketing campaign. The now disgraced distributor/producer Harvey Weinstein knew the secrets of getting Academy voters on his side better than anyone else in the business. Whether it was the Blitz-like approach to advertising in the trade press, or the timing of the awards screenings, or the way he kept the film’s stars in front of the media or his relentless courtship of the Academy members, he was arguably as important to the Oscar success of the so-so musical Chicago as any of the creative talent behind it.
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The 10 worst Oscar Best Picture winners 5. A Beautiful Mind It’s not bad. It’s a love story that touches on mental illness and mathematics (neither usually subjects that Hollywood embraces). Russell Crowe gives a fine performance as John Nash, the Nobel prize-winning boffin with the beautiful but unstable mind. Nonetheless, Ron Howard’s biopic isn’t any kind of classic. It won its Best Picture Oscar in an unusually thin year.
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The 10 worst Oscar Best Picture winners 4. Marty Marty, the 1955 winner, isn’t even the best version of its own subject matter. This story, scripted by the great Paddy Chayevsky, about an emotionally repressed Italian American butcher from the Bronx looking for love, had already been made as a live TV drama the year before. In the small-screen version, Rod Steiger gave a superlative performance in the lead role. Ernest Borgnine in the film version can’t help but seem like second best to anyone who saw Steiger in the same part. Whereas the puggish Borgnine makes Marty a figure of pity, Steiger turned him into a full blown tragic hero.
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The 10 worst Oscar Best Picture winners 3. Out of Africa You’ll remember the pink flamingos and all those scenes of beautiful Kenyan landscapes that looked as if they were cribbed from a David Attenborough natural history documentary. You won’t ever forget Meryl Streep’s eccentric accent as the Danish baroness and author, Karen Blixen (“I had a farm in Africa at the foot of the Ngong hills”). This is mushy stuff, though, and hardly deserving of its Oscar.
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The 10 worst Oscar Best Picture winners 2. Braveheart This rousing, Scottish-set (but partly Irish-filmed) medieval epic is famous for its scenes of William Wallace’s army in blue faces lifting their kilts and baring their bums. Regardless of how accurate this was as history, it played into ongoing debates about devolution and Scottish independence. The film also did its bit for the Scottish tourism business. Mel Gibson knows how to stage a battle scene. Whether that qualifies his film for a Best Picture Oscar is another matter.
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The 10 worst Oscar Best Picture winners 1. The Greatest Show on Earth From a vantage point 67 years on, the decision to give the Best Picture Oscar to Cecil B DeMille’s circus epic in 1952 is truly baffling. British viewers who have seen it will almost certainly have done so on TV (where its 152-minute running time made it useful for filling in gaps in the schedule). It has a decent cast and some reasonable stunts but Academy voters were surely clowning around when they chose it over other nominees in the same year which have aged far, far better like High Noon and The Quiet Man.
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Although Big Shark will mark his first feature-length film post-The Room , it’s far from the only project Wiseau has worked on.
He also directed the 2004 documentary Homeless in America , created the 2015 sitcom The Neighbours , and most recently starred alongside Sestero in the thriller Best F(r) iends Volume One and Volume Two , which Sestero co-wrote.
Sestero also documented his experiences working with Wiseau in the book The Disaster Artist , which was adapted into a 2017 film directed by and starring James Franco.
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