Cannes 2016: Kristen Stewart booed film Personal Shopper gets 4-minute standing ovation at premiere

A reminder that booing teaches us nothing about the quality of any Cannes film - only that the human race can be pretty rude sometimes 

Clarisse Loughrey
Wednesday 18 May 2016 08:23

Every year, a movie will get ferociously booed at Cannes.

And what does it teach us? Pretty much nothing, outside of the fact the human race is capable of being quite rude sometimes. Occasionally, the booing does seem to at least strike a vaguely appropriate target; Gus Van Sant's critically maligned Sea of Trees was the target of last year's most vicious jeers.

Read more of our Cannes 2016 coverage

Yet, mostly, the booing seems to hone in on any film with a sense of bravura or innovation to it; Lars von Trier's Antichrist, Sofia Coppola's Marie Antoinette, and Martin Scorsese's Taxi Driver were all booed at their first Cannes screenings. Films, indeed, which have subsequently all gone on to be hailed for their vision and creative daring. So, really, the fact Olivier Assayas' Personal Shopper, starring Kristen Stewart, was booed at its press screening is only a good sign.

Especially considering the film has since received positive reviews, and following reports (via The Hollywood Reporter) that its official premiere, held the next day, saw a four-and-a-half minute standing ovation. Though it's standard for films with the cast in attendance to receive some sort of standing ovation, Personal Shopper's reaction was notably enthusiastic here, and marked a far better reflection of the larger critical reception of the film.

In particular, a lot of focus fell on star Kristen Stewart herself, with many already declaring her a frontrunner for the Best Actress award at the festival's closing ceremony. Reuniting with Assayas after his magnetic 2014 Cannes entry Clouds of Sils Maria, Stewart here plays an American living in Paris who comes to believe she's received contact from her deceased twin brother.

Kristen Stewart back with Assayas for ‘Personal Shopper'

With Nicolas Winding Refn's fabulously depraved-looking, vampire flick Neon Demon yet to premiere; it wouldn't be entirely surprising if the booers resurface again before the festival ends, to award the Drive director with that strange honour indicative of someone making a genuinely interesting piece of cinema.

Register for free to continue reading

Registration is a free and easy way to support our truly independent journalism

By registering, you will also enjoy limited access to Premium articles, exclusive newsletters, commenting, and virtual events with our leading journalists

Already have an account? sign in

By clicking ‘Register’ you confirm that your data has been entered correctly and you have read and agree to our Terms of use, Cookie policy and Privacy notice.

This site is protected by reCAPTCHA and the Google Privacy policy and Terms of service apply.

Join our new commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies


Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in