Johnny Depp breaks silence over Fantastic Beasts casting controversy: ‘JK Rowling knows I was falsely accused’

Depp was accused of domestic violence by his ex-wife Amber Heard

Jacob Stolworthy

Friday 12 October 2018 10:13

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Fantastic Beasts: The Crimes of Grindelwald - trailer

Johnny Depp has responded to the controversy surrounding his casting in the Fantastic Beasts franchise.

Fans criticised the decision to keep the actor in the role of Grindelwald following assault allegations after he was accused of physical and emotional abuse by ex-wife Amber Heard.

Depp first appeared as the villain in a surprise twist at the end of the first Fantastic Beasts movie. Both JK Rowling and David Yates defended his casting.

“I’ll be honest with you, I felt bad for JK [Rowling] having to field all these various feelings from people out there,” Depp said in an interview with Entertainment Weekly. “I felt bad that she had to take that. But ultimately, there is real controversy.”

He continued: “The fact remains I was falsely accused, which is why I’m suing The Sun newspaper for defamation for repeating false accusations. JK has seen the evidence and therefore knows I was falsely accused, and that’s why she has publicly supported me. She doesn’t take things lightly. She would not stand up if she didn’t know the truth. So that’s really it.”

Rowling's original statement reads: “The agreements that have been put in place to protect the privacy of two people, both of whom have expressed a desire to get on with their lives, must be respected. Based on our understanding of the circumstances, the filmmakers and I are not only comfortable sticking with our original casting, but genuinely happy to have Johnny playing a major character in the movies.”

The best films of 2018 (so far)

Show all 17

1/17The best films of 2018 (so far)

From its slow-burning beginning, The Guardians develops into an epic melodrama. It’s a wartime story in which, for a change, the men are relegated to supporting roles. It follows in a tradition of French rural family sagas like Jean De Florette or Manon Des Sources. The landscapes and the changing seasons play as much of a part in the story as the main characters.

Dark River offers little such consolation. It has some lyrical and delicate moments but the mood is generally overwhelmingly bleak and lugubrious. Incest and abuse don’t leave much space for any comic interludes. This is a powerful film with a grinding intensity about it. Light relief it isn’t but Dark River still has quite an impact.

Alamy

Late on in Argentinean director Lucrecia Martel’s startling, highly original new feature, Zama, a character who has just had both his arms cut off, is advised to “shove your stumps in the sand … if you don’t bleed out, you’ll survive.” It’s a grisly, darkly humorous moment in a film that continually surprises us with both its brutality and its lyricism.

The Match Factory

The most dispiriting aspect of this otherwise enrapturing Oscar-nominated animated feature is that its storyline still seems so current. The film depicts an Afghan society in which women don’t have a face. It is set during the Taliban rule, which lasted from the mid-1990s until late 2001, but this doesn’t feel like a period piece. Seventeen years after the Taliban were ousted from power in Afghanistan following the US invasion, the plight of women in the country appears hardly to have improved.

GKIDS

Spike Lee’s work sometimes risks sensory overload. He fires off so many different ideas and storytelling styles that audiences can become bamboozled by his scattergun approach. BlacKkKlansman is one of his very best films because the digressions are as entertaining as ever but don’t get in the way of the main story.

AP

Much of the pleasure in Aardman films has always lain in their gently ironic, Alan Bennett-like humour. They take very exotic characters and subject matter but then deal with them in a matter-of-fact fashion. They make a virtue out of their own relative modesty. Early Man isn’t the flashiest animated feature that you’ll see this year but it is certainly the most likeable.

Like all of Wes Anderson’s work, Isle Of Dogs is very stylised, very offbeat and characterised by its extremely dry and often ironic humour. This Japanese-set stop-motion fable is also gorgeous to look at – packed full of intricate visual detail. It deals with some weighty themes (ethnic cleansing, fascism and corruption) but does so in an idiosyncratic fashion.

Writer-director Martin McDonagh has a host of award-winning plays behind him but his movies haven’t always lived up to his stage work. This one certainly does. It shares some of the dark and nihilistic humour found in McDonagh’s previous film, Seven Psychopaths.

In an era of wearisome poltergeist movies, haunted house stories and torture porn, A Quiet Place is a refreshingly pared-down and very original affair. Director John Krasinski relies on editing, sound effects and off-screen action to crank up the tension. We do see the creatures from time to time, sometimes even in extreme closeup. They are very grotesque, bigger versions of the polyp-like succubus which exploded out of John Hurt’s stomach in Alien. However, the most terrifying moments here come when the humans are waiting for them to appear, desperately hoping that they won’t.

Paramount Pictures

Lady Bird is one of the best American coming-of-age films since Barry Levinson’s Diner. Written and directed by Greta Gerwig, it offers an utterly winning mix of humour, poignancy and sharp-eyed social observation. Gerwig approaches her subject matter with the same tenderness and affectionate irony with which the adolescent Lady Bird regards Sacramento. Gerwig also shows Lady Bird’s heroism as the young heroine strives against the odds to become the very best version of herself she can be.

A24

If Phantom Thread is indeed Daniel Day-Lewis’s final film as an actor, he is going out on a wondrously bizarre note. This must be the oddest film in his career, one in which he gives a typically commanding but very idiosyncratic performance. Almost everything here is jarring – but generally in a very positive way.

It is not so long ago that Paul Schrader seemed to be giving up on cinema. The American writer-director (whose credits include Taxi Driver, American Gigolo and Affliction) had taken to making movies like the sour Hollywood satire The Canyons with Lindsay Lohan and the cartoonishly violent Dog Eat Dog, shot cheaply, aimed at a VOD audience. The former had a montage of closed-down movie theatres. In interviews, Schrader struck a gloomy note about the future of the industry. This is why First Reformed is so refreshing. This is not just Schrader’s best film in a very long while. It is also a re-affirmation of the director’s belief in the medium.

Rex

Oscar Wilde goes to ruin in Rupert Everett’s debut feature as director. Everett also wrote and stars in the film, giving a grandstanding performance as the Irish writer at the end of his life, after his release from prison, where he has been doing hard labour for “gross indecency”. This is a moving and surprising biopic that squeezes out every last drop of pathos from its subject matter.

BBC Films

Black Panther is not only one of the most entertaining recent superhero films but has an intelligence and a political dimension that such inchoate offerings as Suicide Squad and Justice League completely lacked. It is an action movie which touches on Pan-Africanism and which owes as much to Malcolm X as it does to Batman or Captain America.

Marvel Studios/Disney

Sicilian Ghost Story is a genre-bending affair that combines elements of teen romance, gothic psycho-drama and political thriller. It is loosely based on a true story of a boy called Giuseppe Di Matteo whose father, an ex-member of the Sicilian Mafia, turned “grass” against his erstwhile associates. The Mafia responded by kidnapping Giuseppe and keeping him in captivity for nearly 800 days.

Altitude

First Man is all about understated heroism. It’s affecting precisely because Armstrong (played with quiet intensity by Ryan Gosling) doesn’t feel the continual need to boast about his mission. The film is a tearjerker but a very subtle one.

AP

Dogman is one of the best Italian films of recent times, a modern day neo realist fable that bears comparison with the great work of Fellini, Rossellini, De Sica et al. Its main character, the dog groomer Marcello (Marcello Fonte), is a wonderful creation: loveable, vulnerable, seedy and comic all at the same time.

Curzon Artificial Eye

Heard, who accused Depp of domestic violence in May 2016 before settling the case months later, seemingly responded to Rowling’s words by reposting the joint statement released after the couple’s settlement was finalised.

“To pick and choose certain lines and quote them out of context, is just not right,” she wrote. “Women, continue to stand up and stay strong. Love, Amber.”

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Rowling has been forced to defend several controversies over the past year; the most recent furore surrounded the casting of South Korean actor Claudia Kim in the role of Voldemort's snake, Nagini.

Fantastic Beasts: Crimes of Grindelwald will arrive in UK cinemas on 16 November.

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