The late French film-maker Claude Sautet (he died in 2000) is best known to British audiences for his chamber piece Un Coeur En Hiver, a restrained love story about a violin virtuoso.
His 1960 debut feature is the kind of riproaring, existential gangster film you'd expect from Jean-Pierre Melville or a young Jean-Luc Godard.
Jean-Paul Belmondo shows the same swagger he brought to Godard's Breathless but the pick of the performances is from pug-faced, sad-eyed Lino Ventura as a once big-time thief who has reached the end of the line.
Sautet throws in some terrific chase sequences (by car and boat) and plenty of pathos: Ventura, as he is hunted down, looks forlorn in a way that only French gangsters can.
Subscribe to Independent Premium to bookmark this article
Want to bookmark your favourite articles and stories to read or reference later? Start your Independent Premium subscription today.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies