Stanley Donen's 1957 musical represents a triumph of form over content.
Its script is flimsy and whimsical in the extreme – a yarn about a shy American bookseller (Audrey Hepburn) with a funny face turned into a supermodel in Paris.
What is startling here is the eye-popping colour, the self-reflexive photography and visual effects, the dance sequences (Fred Astaire with his umbrella), and the witty and ingenious use of the Paris locations.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments