Crash course: Music festivals
This month, the Isle of Wight festival and Glastonbury launch that British summer season of traipsing around fields to hear live music.
TIMELINE
BOB DYLAN, NEWPORT FOLK FESTIVAL
1965
Dylan goes electric, causes outrage and sets the standard for memorable festival sets
JIMI HENDRIX, WOODSTOCK
1969
Hendrix's "Star Spangled Banner" at Woodstock: the pinnacle and death knell of the 1960s glory days
LED ZEPPELIN, KNEBWORTH
1979
100,000 showed up, and noise complaints were received from miles away for one of the band's last gigs
THE SMITHS, GLASTONBURY
1984
The Manchester band woke up Glastonbury in a fallow period between its 70s origins and 90s rock-and-rave heyday
THE STONE ROSES, SPIKE ISLAND
1990
Not really a festival, but with sun, drugs and era-making music, it felt like one, and inspired many
NIRVANA, READING
1992
The grunge band's last UK gig and one of their defining moments, a ferocious set to 50,000 awestruck fans
PULP, GLASTONBURY
1995
Jarvis and co filled in at the last minute for headliners The Stone Roses, creating one of Britpop's defining moments
FLAMING LIPS, COACHELLA
2004
The US showed it could still do festivals. Lead singer Wayne Coyne rolled over fans in an inflatable ball
BEYONCÉ, GLASTONBURY
2011
Glastonbury's wholehearted embrace of pop is controversial, but all-singing, all-dancing Beyoncé didn't disappoint
This month, the Isle of Wight festival and Glastonbury launch that British summer season of traipsing around fields to hear live music
How to be: A festival cliché
Live the dream and improve your chances of appearing in newspapers and promo images by following these simple rules...

Enjoy unlimited access to 100 million ad-free songs and podcasts with Amazon Music
Sign up now for a 30-day free trial. Terms apply.
ADVERTISEMENT. If you sign up to this service we will earn commission. This revenue helps to fund journalism across The Independent.

Enjoy unlimited access to 100 million ad-free songs and podcasts with Amazon Music
Sign up now for a 30-day free trial. Terms apply.
ADVERTISEMENT. If you sign up to this service we will earn commission. This revenue helps to fund journalism across The Independent.
* Don't have a partner who would willingly sit on your shoulders or allow you to straddle theirs? Just ask the person next to you – it will be too loud for them to refuse. The view of the stage is great from up there
* Crowd surfing is euphoric if it goes well, but be sure to save it for an audience fully imbued with the festival spirit required to keep you aloft. If you time your surf badly, you risk a painful drop back to earth
* Tiger, alien or the back of a pantomime horse – whatever the costume, it's the thought that counts. Just ensure that your outfit has pockets – and ventilation. Daft Punk-style robot heads are the 'hilarious' masks of the moment
By Charlie Cooper
Profile: The businessman
As organisers of Glastonbury, Michael Eavis, and latterly, his daughter Emily, are the faces of British music festivals.
But there are other important figures in the business, a little out of the spotlight but no less fond of wellies and muddy fields. One such as Melvin Benn, the managing director of Festivals Republic.
Between 2002 and 2012, Benn's firm (initially Mean Fiddler, a company he ran with Vince Power – another big name in European festivals) had a 20 per cent stake in Glastonbury. Together with the Eavises, Benn helped steer the event into the modern era, where things run on time and no one jumps the fence.
Despite parting ways with the Somerset event, Benn's firm still runs several festivals ranging from teen magnets Reading and Leeds to the middle-class family favourite, Latitude.
So if you are planning a wet weekend in a tent, watching music outdoors and drinking beer in a plastic cup, Benn may have been the one who (indirectly) persuaded you to part with two hundred-odd quid.
By Luke Blackall
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments