The Coral, Brudenell Social Club, Leeds, gig review: Re-injecting some genuine personality and craft into their music
The band lock into the deep haze of the West Coast of the US in the 1960s
The Coral’s return after a five-year break is one slathered in psychedelic swirls and explorations. Their latest album Distance Inbetween - as well as tonight’s deeply immersive and lysergic light show - seems to lock into the deep haze of the West Coast of the US in the 1960s, acting as their most straight-up psych-rock album to date. “Chasing the Tail of a Dream” sounds booming and crunchy, taking Spacemen 3-like looping guitar drones, melded with their – seemingly unavoidable – desire to coat it in a pop-tinged melody. It’s as a corporeal rendition but a lot of material from the new album feels a little too one-note and the pace and tone rarely alters enough to instil variation or enthrallment in the first half of the set.
The unshakably catchy folk-pop of “Pass It On” “Don’t Think You’re the First” and “In The Morning” are a welcome reminder of the group’s ability to craft concise, breezy yet versatile pop songs, the sort that gave their revived brand of wonky Merseybeat meets spaghetti western such a unique feeling all those years ago. As an ostensible indie band The Coral always managed to inject a genuine sense of personality and craft into what they did and their return to doing so once more is most welcome.
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