Neither strictly hippies nor 17 in number, Berlin's 17 Hippies have for 12 years been a mainstay of Germany's world-music scene, wowing audiences across Europe, and as far afield as Russia and Japan, with their energetic pan-ethnic performances. Currently numbering around a dozen players, their diverse backgrounds afford a truly international blend of influences, with lyrics delivered in German, French or English, and all manner of cultural hybrids occurring in the music.
The opening "Shadowman", for instance, sounds like a high-speed collision between Celtic and Balkan modes, a frantic Gogol Bordello-like flurry of fiddle, accordion, brass and woodwind capped with an especially hot clarinet solo; while "When Was That?" uses similar instrumentation to produce a rumba-style cajun groove as backdrop to a recollection of love at first sight. Clarinet adopts the haunting Arabic timbre of duduk on "Teschko", jew's harp is prominent in the Eastern-flavoured "Moving Song", ukulele drives the time piece "Tick Tock", and rhapsodic oboe helps transform The Shadows' "Apache" into a polka. Often weird, and mostly wonderful.
Download this: 'Shadowman', 'Apache', 'His Mystery', 'Moving Song'
Subscribe to Independent Premium to bookmark this article
Want to bookmark your favourite articles and stories to read or reference later? Start your Independent Premium subscription today.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies