The Independent's journalism is supported by our readers. When you purchase through links on our site, we may earn commission.
Album: Foals, Antidotes (Transgressive)
Heard in brief three-minute bursts among a radio playlist of diverse flavours, Foals' music goes sufficiently against the grain to catch one's attention.
But at album length, when they constitute the grain itself, it's a different matter. Their combination of furrow-browed math-rock riffs, and lyrics so impenetrable they're virtually in a private language, simply leaves this listener, for one, nervous and alienated by its formalism. It's like Frank Zappa without the gags – or, indeed, the tunes. Antidotes is fine for the first few tracks, particularly "The French Open", where the twinkly West African flavour of the guitars interlocks neatly with the itchy rhythms; but thereafter hardly any attempt is made to draw the listener in.
Click the arrow to listen to a clip of Foals track 'Cassius',
Quite the opposite: on tracks like "Electric Bloom" and "Heavy Water", it's almost as if they're trying to bludgeon one into submission with their industrious opacity, which seeks the questing credibility of avant-rock but, crucially, lacks the liberating spirit of great jazz. Rather than the soaring freedom of a Coltrane, Parker or Gilmore, this is an intensely claustrophobic experience, like listening to men busily nailing themselves inside a box.
Download this: 'The French Open', 'Red Socks Pugie'
Subscribe to Independent Premium to bookmark this article
Want to bookmark your favourite articles and stories to read or reference later? Start your Independent Premium subscription today.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies