Recorded live in December 1981, when period instruments were still a novelty and Gluck's reputation as a dramatist had yet to be fully restored, this vintage performance of 'Alceste' has vitality and freshness.
Under Charles Mackerras, the Orchestra of the ROH play with stripped-down strings and sombre wind. Janet Baker's intelligence, diction and flexible tone make for a heroine of great authority – qualities that are matched in Robert Tear's bright-toned, incisive Admète. But for the occasional intrusion of applause and expectoration, and some weary choruses, this is as fine an 'Alceste' as you could hear.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments