Heard at the Brecon Jazz Festival three years ago, this seemed an absolute model for big-band projects, with Tommy Smith's re-orchestration of Gershwin's original played with love and passion by a very young group, and piano soloist Brian Kellock showing his genius for differing idioms throughout.
The recording (from Edinburgh's Queen's Hall) takes a few minutes to get going but once you dig in, there's a continual round of treats as the hour ticks by. The standout is Smith's brilliant invention of an Afro-Cuban section, horns blazing.
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