Album: The Tallest Man On Earth, The Wild Hunt (Dead Oceans)

Andy Gill
Friday 09 April 2010 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Swedish folkie Kristian Matsson, aka The Tallest Man On Earth, has managed to effect an eerily persuasive impression of the young Bob Dylan on this second album.

It's not just his rich command of folk-guitar technique, nor the high, piercing snarl of a voice that so vividly brings to mind the teenage tyro twang of Dylan's debut; but also the way that good and evil, dark and light, love and hate, and life and death are braided and entwined within his songs. The thrilling danger of temptation and desire, for instance, has rarely been as poetically evoked as in Matsson's claim, in "You're Going Back", that "I could roll you to hell, I could swim from your heavens". In some cases, his imagery seems to come from the same wellspring of demonic intimation that fed original country bluesmen like Charley Patton and Robert Johnson, not least when the deft and delicate fingerpicking of "Love Is All" cloaks sentiments like "I walk upon the river like it's easier than land/Evil's in my pocket, and your will is in my hand". But somehow, despite the portents and misgivings which cloud his muse, there's something strangely comforting about Matsson's songs that draws the listener in: it's as if we're being lured close enough to feel the glow of hellfire, without suffering its full sear.

Download this The Wild Hunt; Burden Of Tomorrow; Love Is All

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in