Support truly
independent journalism
Our mission is to deliver unbiased, fact-based reporting that holds power to account and exposes the truth.
Whether $5 or $50, every contribution counts.
Support us to deliver journalism without an agenda.
![Louise Thomas](https://static.independent.co.uk/static-assets/support-us/louise-thomas.png)
Louise Thomas
Editor
The unusual alliance of Floridian rapper/singer Eric Biddines with south London groovemaster Paul White brings an engaging, infectious charm to Golden Ticket reminiscent of Outkast and Arrested Development.
With copious assistance from multi-instrumentalist Shawn Lee, White creates slinky, rolling grooves incorporating everything from fretless bass to marimba and kalimba, over which Biddines delivers street sketches and epigrammatic non-sequiturs in a pithy, laid-back, dirty-South inflection. T
he mood ranges from the down-home slouch of “Auntie Pearl’s House” to the moody, down-tempo trip-hop of “Never Die” (featuring Yasiin Bey, formerly Mos Def), and from the bumping handclap groove of “Down South Boogie” to the boudoir-soul croon of “Play Some Luther” (“I’m gonna take my shirt off/ you’re gonna take your skirt off/ play some Luther Vandross”).
Subscribe to Independent Premium to bookmark this article
Want to bookmark your favourite articles and stories to read or reference later? Start your Independent Premium subscription today.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments