In a new exhibition, photographers explore the roots of America’s political turmoil

Published in 1969, the America in Crisis photography project turned its lens on the nation’s rapidly shifting political climate. A new exhibition at the Saatchi Gallery revisits the project, asking contemporary photographers to examine America’s divisive political atmosphere

Eve Watling
Saturday 22 January 2022 00:01
<p>The Capitol, Washington, 6 January 2020</p>

The Capitol, Washington, 6 January 2020

From vaccinations to elections to policing, political common ground in America seems to be harder to find than ever. The split is born out in data too – a month before the 2020 election, according to Pew research, roughly 9 in 10 Republicans, and the same number of Democrats, worried that a victory by the other would lead to “lasting harm” to the United States.

“Our crisis today is the clash between the nation’s traditional vision of itself – the American Dream – and the hard, discordant realities it lives with,” wrote Jerry Mason and Adolph Suehsdorf, the editors of the publication America in Crisis. Although their statement rings true today, America in Crisis, a Magnum Photos project, was published in 1969. Inspired by the radical political shifts in the late 1960s, the ground-breaking group initiative aimed to assess the state of the nation, examining key events in the lead-up to Nixon’s 1968 inauguration. The project had a wide scope – section titles included The Streak of Violence, The Deep Roots of Poverty and The Battle for Equality.

“Several of us felt that the 1968 elections would be somehow special; that deeper questions for America were riding than just electing a president,” said photographer Charles Harbutt of the project. “I felt that the basic issue was that the traditional American self-image as learned through public schools, Hollywood movies, ads and Fourth of July speeches – the American Dream itself – was being challenged.”

Massive Support for Richard Nixon at the Republican Convention. Miami, Florida, 1968

As America’s political divide takes on new dimensions in the wake of a pandemic and false claims of a stolen election, the America in Crisis project is being revisited in an exhibition at the Saatchi Gallery in London. The show creates a dialogue between the original photos and American photography from recent years, searching for the historical symmetries which could shed light on the political fractures of today.

Contemporary photographers such as Kris Graves, Balazs Gardi, Zora J Murff, Sheila Pree Bright and Stacy Kranitz display next to their predecessors Bruce Davidson, Elliott Erwitt and Mary Ellen Mark in the ongoing examination of social change and division. In total, the exhibition features 40 leading American photographers and more than 120 works.

Smithville, Tennessee, 2015

Pink Sidewalk, Florida, 2017. From the series Floodzone

Bungalow Family with Last Ash Tree, Midway, Chicago, 2018

As with the 1969 project, which included pictures from the 1965 Selma to Montgomery marches for civil rights, race continues to be a key issue for the contributors. “What I felt about the perpetration of American anti-Black violence in 2020 was no different from how I felt about it before, and my opinions remain unchanged,” says photographer Zora J Murff. “The recorded deaths of Black people at the hands of white people that we have seen these last two years are nothing new in this country.”

The Selma March, Alabama, 1965

Lee Square, Richmond, Virginia, 2020 Courtesy of Sasha Wolf Projects

Grant Park, Chicago, 1968

#FXCK July 4th: rally cultivating change from injustice and police brutality toward women and LGBTQ+, Atlanta, Georgia, 2020

The exhibition makes the case that many political battles are fought on the same frontlines as 50 years ago. “I think a crisis to me implies a singular event or sliver in time and I feel that 2020 was a continuation,” says Leah Millis, who works as a photographer at Reuters and contributed a photo of Mark Zuckerberg’s 2018 senate hearing to the exhibition.

Photograph submitted by Leah Millis of Mark Zuckerberg testifying before a joint senate hearing

“Crisis doesn’t give enough breadth to the moment. It almost gives the impression that we’re weathering the storm. I have been out in the middle of it for the last few years, which probably colours my view, but I feel this goes much deeper.”

America in Crisis is showing at Saatchi Gallery, London, from 21 January to 3 April 2022

Register for free to continue reading

Registration is a free and easy way to support our truly independent journalism

By registering, you will also enjoy limited access to Premium articles, exclusive newsletters, commenting, and virtual events with our leading journalists

Already have an account? sign in

By clicking ‘Register’ you confirm that your data has been entered correctly and you have read and agree to our Terms of use, Cookie policy and Privacy notice.

This site is protected by reCAPTCHA and the Google Privacy policy and Terms of service apply.

Join our new commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies


Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in