Story of the song: Back Stabbers by The O’Jays

From The Independent archive: Robert Webb looks at the group’s 1970s soul music milestone

The O’Jays during a recording session in New York City, June 1968, before they downsized to a trio (Getty)

A piano roll from Leon Huff like a rumble of conspiratorial gossip introduces soul music’s most paranoid of hit singles and Philadelphia’s big soul/pop breakthrough. Heavy on strings and melody, Kenny Gamble and Huff’s smooth Philly sound was founded on the harmony groups and gospel singers who hung out at storefronts, churches and street corners in the city of brotherly love in the Fifties and Sixties. In late 1971 The O’Jays were poised to put Philadelphia on the musical map.

The vocal act, originally from Cleveland, had just downsized to a three-piece, and a deal with Chess Records was filed in the out tray. “We decided to carry on as a trio,” recalled The O’Jays’ baritone Walter Williams. “We got offers from Invictus and Motown. But we figured those people make all the groups sound alike and we wanted our own sound.”

The threesome signed with Gamble and Huff’s Philadelphia International. Their first recording was “Back Stabbers”, penned by Huff, together with house writers Gene McFadden and John Whitehead, and beautifully arranged by Thom Bell. A gentle jazz-lounge guitar from Norman Harris tops the piano intro, and gradually the percussion, strings and horns slide in, stuttering to a halt with the question: “What they do?”