It’s that time of year when critics rarely get to see daylight: the Edinburgh Fringe is back.
The world’s biggest arts festival is now in full swing, celebrating its 75th year as well as a return to normality after the pandemic.
This week, Fergus Morgan gives his verdict on four of the Fringe’s biggest theatre shows, from a Fleabag-esque one-man show to a docu-play about abortion law.
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