Letter: Hitch framed

Sunday 22 August 1999 00:02 BST

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

NOBODY DESCRIBES the imagery of cinema more incisively than Gilbert Adair and nobody has created images of greater brilliance than Alfred Hitchcock. What a shame, therefore, that Adair's masterly review of Strangers on a Train (Culture, 15 August) should be accompanied by a clumsily posed publicity still when the film itself is, as he suggests, a treasure trove of unforgettable frames.

DAVID STOOKE

Leigh-on-Sea, Essex

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Letter: Hitch framed

Join our commenting forum

Thank you for registering