Even old masters had off days

Tom Lubbock makes the refreshing discovery that, hundreds of years ago, artists were just as capable of being superficial, vacant and cynical as they are today

Classical Music: Fiddling with the rules

Andrew Stewart talks to Andrew Manze, a violinist putting the jazz back into baroque music

Theatre Review: No sad songs, it's simply sunshine

Kristin Hersh: Inventing America Barbican, London

Obitaury: Bert Haanstra

Like Gilbert Adair [obituary of Bert Haanstra, 28 October], I gritted my teeth through most of the "supporting programme" shorts that were screened at art houses in the Fifties and Sixties, writes Timothy Gee. Our recollections differ, though, in the case of Bert Haanstra's documentaries.

Tuesday's book: Younger Brother, Younger Son by Colin Clark

Philip Roth once said that when a writer is born into a family, the family is finished. This excellent dictum has been outmoded by publishing practice. Nowadays everyone is a writer, and families are in revolt.

A heartfelt plea for Clemenza; MUSIC

We All Know La Clemenza di Tito as the opera in which Mozart, in the last year of his life, revisited the old, dying-on-their-feet conventions of baroque opera seria he abandoned years before. And so we think of it as musically regressive, staid, a touch dull: inexplicable as the exact contemporary of Zauberflote and the Requiem. That Mozart has improved on the conventions, slimming down the arias and sharpening the pace, eludes us. And while Titus's grapeshot forgiveness for everyone in the cast who has abused his kindness, torched his capital and tried to murder him may have struck 18th-century audiences as clemency, to us it seems more like a failure of imagination. Not much substitute for the diverting spectacleof vengeance.

CLASSICAL & OPERA

A Concert for Dr Eric Fenby takes place at the Wigmore Hall London W1 (0171-935 2141) on 16 Sept at 7.30pm

Cirque Baroque

The New circus movement has incorporated many unlikely elements, from chain-saws to singing ducks, but how's this for a new twist: a big- top spectacle based on a work of classical French literature. Cirque Baroque's show Candides roughly traces the plot of Voltaire's satirical conte philosophique, putting its eponymous hero (represented by several commedia-style performers, hence the title's plural) through the hoops of life's vicissitudes. We see a white-faced Candide dancing on a highwire (sans safety net, of course), another balancing his partner Cunegonde on a 20ft pole, and the pair surviving the crossfire of an executioner-corps of jugglers (among them Michel Arias, above).

GET CANDID WITH CIRQUE BAROQUE

You may feel like cultivating your garden and doing a Dr Pangloss if you win one of 10 pairs of tickets that we have on offer for Cirque Baroque's latest production, Candides, which plays in London at Three Mills Island Green, Bromley by Bow until 21 Sept.

DANCE

Cirque Baroque: Leith Links, Edinburgh (0131-477 7200) to 31 Aug; Three Mills Island, Bromley-by-Bow, London E3 (0171-494 5491) 5-21 Sept; Chorlton Park, Manchester (0161- 236 7110/832 1111) 24 Sept-5 Oct

Send off the clowns

The "ooh-aah" factor is out... Instead Cirque Baroque aims to touch our feelings with its Big Top `Candides'

PROMS 1997 Bach Evening Royal Albert Hall, London / BBC Radio 3

Visitors to Monday night's Bach Prom by the Amsterdam Baroque Orchestra and Chamber Choir under Ton Koopman might have been forgiven for mistaking Cantata No 214's "Sound, ye drums! Ring out, trumpets!" for the opening chorus of Bach's Christmas Oratorio. In fact, the two are virtually identical. The cantata was composed to celebrate the birthday of Maria Josepha, Queen of Poland, and received its first performance, in all probability, at Zimmermann's coffee house - a less spacious acoustic, one supposes, than the Royal Albert Hall. Chorus and timpani rang resplendent, but baroque flutes and oboes quite failed to project and certain string lines flatly refused to leave the stage. There's little doubt that, when it comes to Bach for orchestra, the RAH is best served by modern instruments or, better still, by the lavish orchestrations of Sir Henry Wood, Stokowski or Respighi. Monday's performance, however, had all the expected Koopman characteristics: crisp, buoyant rhythms, keenly attenuated phrasing and - as far as one could tell - sensitive balancing between instrumental choirs. Soprano Suzie LeBlanc exhibited admirable agility but occasionally sounded off-colour, whereas alto Elisabeth von Magnus was prone to stumble over her "Gentle muses". Tenor Mark Padmore and bass Klaus Mertens were uniformly excellent, and the chorus superb.

CLASSICAL Lufthansa Baroque Festival St James's, Piccadilly

The career-minded musicologist could happily establish a reputation for perceptive scholarship without ever listening to a note of a particular composer's output, toiling among the archives to become an expert on the same composer's life and times. Joshua Rifkin, whose expertise is most closely associated with the works of JS Bach and the ragtime king Scott Joplin, is a paid-up member of the scholar performer community, one of those rare birds with the ability to test theory against practice and challenge the lifetime performing habits of other musicians. Almost two decades after Rifkin suggested that Bach's choral works were effectively performed using one voice per part, the case for and against is still being rehearsed in learned journals and condemned by conductors who prefer the sound of a "big" choir.

Rembrandt found in antique shop

A lost work by Rembrandt, hidden for four centuries, has been discovered on the back of an oil painting sold by a Yorkshire antique shop.

It's baroque, but don't fix it

Essay: Concluding his series on the constitution, Richard D North defends our imperfect version of democracy and exposes the myth of a centralise d Britain in the grip of the ruling class
News
people'It can last and it's terrifying'
News
people Emma Watson addresses celebrity nude photo leak
News
In this photo illustration a school student eats a hamburger as part of his lunch which was brought from a fast food shop near his school, on October 5, 2005 in London, England. The British government has announced plans to remove junk food from school lunches. From September 2006, food that is high in fat, sugar or salt will be banned from meals and removed from vending machines in schools across England. The move comes in response to a campaign by celebrity TV chef Jamie Oliver to improve school meals.
science
News
Boris Johnson may be manoeuvring to succeed David Cameron
i100
Arts and Entertainment
tv
News
Katie Hopkins appearing on 'This Morning' after she purposefully put on 4 stone.
peopleKatie Hopkins breaks down in tears over weight gain challenge
Life and Style
fashionModel of the moment shoots for first time with catwalk veteran
Life and Style
fashionAngelina Jolie's wedding dressed revealed
News
i100
Sport
Alexis Sanchez, Radamel Falcao, Diego Costa and Mario Balotelli
footballRadamel Falcao and Diego Costa head record £835m influx
Career Services

Day In a Page

Burgundy, the River Rhone & Provence – MS Swiss Corona - seven nights from £999pp
Lake Maggiore, Orta and the Matterhorn – seven nights from £899pp
Sicily – seven nights from £939pp
Pompeii, Capri and the Bay of Naples - seven nights from £799pp
Istanbul Ephesus & Troy – six nights from £859pp
Mary Rose – two nights from £319pp
'I’ll tell you what I would not serve - lamb and potatoes': US ambassador hits out at stodgy British food served at diplomatic dinners

'I’ll tell you what I would not serve - lamb and potatoes'

US ambassador hits out at stodgy British food
Radio Times female powerlist: A 'revolution' in TV gender roles

A 'revolution' in TV gender roles

Inside the Radio Times female powerlist
Endgame: James Frey's literary treasure hunt

James Frey's literary treasure hunt

Riddling trilogy could net you $3m
Fitbit: Because the tingle feels so good

Fitbit: Because the tingle feels so good

What David Sedaris learnt about the world from his fitness tracker
Saudis risk new Muslim division with proposal to move Mohamed’s tomb

Saudis risk new Muslim division with proposal to move Mohamed’s tomb

Second-holiest site in Islam attracts millions of pilgrims each year
Alexander Fury: The designer names to look for at fashion week this season

The big names to look for this fashion week

This week, designers begin to show their spring 2015 collections in New York
Will Self: 'I like Orwell's writing as much as the next talented mediocrity'

'I like Orwell's writing as much as the next talented mediocrity'

Will Self takes aim at Orwell's rules for writing plain English
Meet Afghanistan's middle-class paint-ballers

Meet Afghanistan's middle-class paint-ballers

Toy guns proving a popular diversion in a country flooded with the real thing
Al Pacino wows Venice

Al Pacino wows Venice

Ham among the brilliance as actor premieres two films at festival
Neil Lawson Baker interview: ‘I’ve gained so much from art. It’s only right to give something back’.

Neil Lawson Baker interview

‘I’ve gained so much from art. It’s only right to give something back’.
The other Mugabe who is lining up for the Zimbabwean presidency

The other Mugabe who is lining up for the Zimbabwean presidency

Wife of President Robert Mugabe appears to have her sights set on succeeding her husband
The model of a gadget launch: Cultivate an atmosphere of mystery and excitement to sell stuff people didn't realise they needed

The model for a gadget launch

Cultivate an atmosphere of mystery and excitement to sell stuff people didn't realise they needed
Alice Roberts: She's done pretty well, for a boffin without a beard

She's done pretty well, for a boffin without a beard

Alice Roberts talks about her new book on evolution - and why her early TV work drew flak from (mostly male) colleagues
Get well soon, Joan Rivers - an inspiration, whether she likes it or not

Get well soon, Joan Rivers

She is awful. But she's also wonderful, not in spite of but because of the fact she's forever saying appalling things, argues Ellen E Jones
Doctor Who Into the Dalek review: A classic sci-fi adventure with all the spectacle of a blockbuster

A fresh take on an old foe

Doctor Who Into the Dalek more than compensated for last week's nonsensical offering