Voices John Tavener at Bridgewater Hall as part of Manchester International Festival

More establishment than experimental, classifying the late composer is no easy task

Exhilarating: Keegan-Dolan’s take on The Rite of Spring

IoS dance preview of 2012: All the best dancers know their lefts from their rites

As belts continue to tighten, don't be too surprised by a sense of déjà vu, as theatres pad their schedules with known quantities (hello again, 50th-anniversary revival of West Side Story). This may be good news for those who missed, say, Akram Khan's marvellous Desh first and second times around (catch it once and for all at Sadler's Wells in June), or Sutra, Sidi Larbi Cherkaoui's mesmerising date with 20 plywood cubes, and the Shaolin Monks (Sadler's Wells, March). But it's also good news for Scottish Ballet, who have persuaded Matthew Bourne to let them loose on Highland Fling, his deliciously grungy 1994 update on La Sylphide. It tours four Scottish venues in April and May.

Guy/Bavouzet/Armstrong/Chamayou, Wigmore Hall, London

‘In a park, at twilight, a tennis ball has got lost; a young man and two girls come looking for it. They start to play hide and seek, chase each other, quarrel and sulk...’

Where the Wild Things Are & Higglety Pigglety Pop! Snape Maltings Concert Hall, Aldeburgh Festival

Birtwistle, Ades, Turnage, Benjamin – when people reel off their list of living British opera composers, they seldom mention Oliver Knussen, which is strange.

Album: Stravinsky/Schnebel/ Cage/Nono/Stockhausen, Music Of Our Time (Wergo)

German label Wergo is marking its 50th anniversary with this five-CD box featuring one album from each decade of its existence.

London Symphony Orchestra / Gergiev, Barbican Hall, London

One bar into this timely celebration of his work and the composer's identity could not be in doubt.

International Conductors’ Academy of the Allianz Cultural Foundation, Royal Festival Hall

A showcase for three young conductors, a malfunction at the printers, and for the first time in my experience no programmes for the audience and the prospect of blind-tasting their talents.

Beyond Ballets Russes, Coliseum, London

You can teach an old bird new tricks – but they might not be as good as the old ones

Problems pile up for libertine Tom in Scottish Opera's dashing <i>Rake's Progress</i>

The Rake's Progress, Theatre Royal, Glasgow

Stravinsky's morality tale is given a spirited and purposeful reading by singers and orchestra alike

Circus Tricks, Tete a tete, Riverside Studios

Workshopping is all the rage in experimental opera at present, and Tete a tete - with a distinguished history of making magic with limited means – has workshopped Circus Tricks in a wide variety of contexts, with numerous transformations.

Bavouzet/Ashkenazy/Philharmonia, Royal Festival Hall (5/5)

The French pianist Jean-Efflam Bavouzet may be in his mid-forties, but he’s going for the slow burn on this side of the Channel: he’s probably better known to audiences in Beijing (where his Beethoven has caused a sensation) and in the Lofoten islands of Norway (where he runs a piano festival) than he is to audiences in Britain.

Philip Hensher: Supple's plays trip off the tongues

The week in culture

BBC Proms: Gustav Mahler Youth Orchestra / Davis, Royal Albert Hall, London

Sir Colin Davis's vim and vigour has always seemed so eternal that it was strange, not to say difficult, to discover him conducting now from a chair.

Prom 53: Gustav Mahler Youth Orchestra/ Davis, Royal Albert Hall

Sir Colin Davis’ vim and vigour has always seemed so eternal, so unaffected by the advancing years, that it was strange, not to say difficult, to discover him conducting now from a chair.

BBC Proms 16/17: BBC NOW/Fischer/Arditti/World Routes Academy, Royal Albert Hall (3/5, 4/5)

Pascal Dusapin’s ‘String Quartet No 6’ is scored for the unusual combination of string quartet plus orchestra, and has two subtitles: ‘Hinterland’, and ‘Hapax’ (ancient Greek for ‘once’).

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