Drummer and bandleader whose quintet became acclaimed for its smooth, sophisticated style of jazz
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Sunday 19 July 2009
Scottish trumpeter Steele has blended jazz and folk before, but this unorthodox dectet is his most ambitious project yet.
Friday 17 July 2009
When I arrived in California in this car with the fella from New York I had a clarinet, I had a flute and I had a tenor saxophone and a toothbrush and no job and no nothin'". Bud Shank was 20 and unknown when he arrived in Los Angeles in 1946, but over the next 10 years he metamorphosed into one of the best-loved alto saxophone players in the world. He was also one of the founders of West Coast jazz, with which his powerful and eloquent alto solos were strongly associated, although this bewildered him: "I don't even know what the hell West Coast jazz is", he said. "It was something different from what they were doing in New York, so the critics called it West Coast jazz." Not conforming to the fashion for "cool", smooth-toned playing, Shank remained a hot player whose intense, hard-swinging style communicated exuberance and excitement with great directness.
Tuesday 14 July 2009
In 1981 a note appeared on the notice board in the climbers' campground in Yosemite Valley, California, offering: "$10,000 for anyone who can follow me for one full day." At that time Yosemite was the world's rock climbing Mecca, with no shortage of young guns looking for adventure. Yet none of them took the $10,000 challenge because the poster was John Bachar – perhaps the greatest solo climber the world has ever seen.
Sunday 12 July 2009
This could be subtitled "The Bass Player's Revenge". Founder-member Vitous might be remembering Weather Report but he doesn't do any of their tunes, preferring a rather noodly free jazz, a cover of Ornette Coleman's "Lonely Woman" and his own bowed and plucked playing.
Saturday 04 July 2009
Over a career spanning more than half a century, the saxophonist Johnny Roadhouse was one of the country's leading instrumentalists. And as the celebrated owner of a legendary Manchester music store, his expertise helped guide many of the city's musicians to the forefront of British musical life.
Friday 26 June 2009
In Spencer Leigh's survey of Steve Race's life (obituary, 24 June) he states: "When he criticised Roland Kirk, the American saxophonist challenged him to join his musicians at Ronnie Scott's Club, and Race acquitted himself well," writes Ron Malings. I was present at Ronnie Scott's on the night he refers to and this is more or less what happened.
Thursday 25 June 2009
Ambling onstage in sparkly silver suit and lime-green shirt, Ornette Coleman displays the disregard for prevailing tastes and fashions that has shocked jazz fans for half a century and more. Okay, inventing Free Jazz was one thing – but lime green and silver? What kind of way is this for a man on the cusp of 80 to dress?
Monday 22 June 2009
Sunday 21 June 2009
Saxophonist Lockheart (Loose Tubes, Polar Bear) has been an excellent player in an over crowded sector for ages, but this new quintet's gimmick-free collection of 12 strong originals moves him close to the top of the class.
Sunday 21 June 2009
Elling is such a knock- 'em-dead singer that you're ready to forgive him anything, even this over egged tribute to John Coltrane's sublime 1963 album.
Tuesday 09 June 2009
The Las Vegas entertainer, Louis Prima referred to Sam Butera as "The Big Horn". For 20 years, the tenor saxophonist led the Witnesses, who accompanied Prima and his wives, Keely Smith and Gia Maione, and wrote most of the arrangements. After Prima's death in 1978, he continued as a lounge act, often working with Smith.
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