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Bridget Jones: Mad About the Boy by Helen Fielding - Review

There’s a bit in the middle of Mad About the Boy when the agent for Bridget’s screenplay – a modern interpretation of Hedda Gabler set in Queen’s Park – sends her a strange email. “We have a couple of responses on your script,” he writes. “They are passing. The themes are fascinating but they’re wanting more of a romcom feel. I’ll keep trying.” It could be a coincidence, but by this point it reads like a coded SOS from the author. The book is at its best when it is a poignant comic novel about a 51-year-old woman struggling to bring up children after the sudden death of her husband. It is hit-and-miss when it’s about a 51-year-old Bridget Jones who struggles with all the TV remotes and counts nits instead of Chardonnays. But on occasion it becomes a parody of a Richard Curtis film, or even worse an American sitcom, and that of course is v v bad.

Edinburgh 2013: Max and Ivan: The Reunion - Ingeniously plotted and

Sketch shows take one of two forms - a high-speed rattle through random gags or a narrative arc structured around more-or-less random gags. The latter can be tortuous, if not nonsensical but like Pappy's last year, Max and Ivan have hit upon the perfect vehicle for their sketch story this year. Their school reunion rom-com has plot and heart enough to stand alone but leaves space for plenty of playful messing around, too.

Music review: Luke Haines, The Borderline, London

"Hangman hangman, hang me a man, any old man will do," Luke Haines maintains on "A Badger Called Nick Love" from the 45-year-old's characteristically eccentric (and menacing) new concept record, Rock and Roll Animals.

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