Picasso's grandson has launched an online raffle in association with Sotheby's, giving art lovers a chance to win the 1914 gouache for 100 euros
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Sunday 27 March 2011
Here's a forgotten author, Maurice Richardson, with a single remembered book to his name – but what a book! The paper shortages of the Second World War gave rise to Lilliput magazine, a diminutive periodical that survived thanks to the quality of its writers and illustrators, who included Richardson, Nancy Mitford, Stephen Potter, Mervyn Peake, VS Pritchett, Ronald Searle, Robert Graves, Aleister Crowley, Patrick Campbell, Gerard Hoffnung and Sir Max Beerbohm. It helped that they published fairly saucy (for the time) pictures of unclothed ladies. Every cover featured a scene combining a man, a woman and a dog.
Friday 17 December 2010
The Unseen Dali is an exhibition of 40 or so works, spanning the artist's entire career, many of which have never been shown in the UK before (seven of the drawings have never been exhibited at all). While Dali's reputation as an exhibitionist is made explicit here by the show's semi-naked centrepiece, "Bust de Femme Rétrospectif" – a milliner's bust with cobs of corn across her shoulders, ants on her face and a baguette on her head – the exhibition reveals another side to the artist: a simpler, more low-key draughtsman, painter and sculptor interested in colour, landscapes and the human form.
Thursday 09 December 2010
BBC2's Shooting Stars provided the big break for Angelos Epithemiou and in a very short space of time, the dishevelled clown, who owes so much to the stylings of his hosts Vic Reeves and Bob Mortimer, has enjoyed a suitably stellar ascent.
Friday 08 October 2010
Stéphane Aubier and Vincent Patar may be the funniest Belgian surrealists since René Magritte. Their stop-motion animation invokes a head-in-the-clouds papier-mâché otherworld that keeps shattering into pieces and then cleverly reconstituting itself. It centres upon a hilltop house where plastic figurines Cowboy, Indian and Horse all live in chaotic harmony; their bathroom routine is enough to make you giggle by itself.
Wednesday 01 September 2010
A film featuring racy sex scenes, the sinking of the Titanic and portrayals of Marcel Duchamp, Jackson Pollock and James Joyce might be dismissed as too far-fetched by Hollywood standards.
Dylan Jones: ' As a teenager, I adored Dali and thought the moustachioed Surrealist dude was the coolest painter of all'
Saturday 21 August 2010
I thought I was all done with Dali. As a young teenager, I adored him, and, like many impressionable boys of my age, thought the moustachioed Surrealist dude was the coolest painter of them all. You could keep your Picassos, your Matisses and your Rembrandts; it was Dali all the way with me, baby.
Sunday 25 July 2010
Wednesday 14 July 2010
Friday 07 May 2010
Ablue muscle-man harvests eggs from a waterfall; a family projectile-vomits goo into a bonfire; a vampire disintegrates. Animal Collective's film Oddsac doesn't sound like your average music video or rockumentary. But then it was never intended to be. The experimental psych-rock band – collaborating with artist Danny Perez – call it a "visual album", where imagery and music are inextricably linked (sometimes the band composed the score in response to Perez's visuals, sometimes he wove them around the music they produced).
Thursday 29 April 2010
The artist, printmaker and sculptor Rupert Lee was a contemporary of Paul Nash, Stanley Spencer and Nevinson, an associate of the Bloomsbury group and a key figure in the Surrealist movement. For the first time in ninety-years, his work is due to be exhibited at a London gallery.
Thursday 08 April 2010
Giorgio de Chirico is one of the painters we know so well from all the reproductions we used to display on our walls when we were breathless students: those lonely, wind-swept piazzas, headless statues and tiny humanoids with their weirdly over-stretched shadows... In fact, as with so many other painters, his work often looks better in reproduction. The crudity of application is smoothed away. All we are left with is the strangely disturbing idea of the work itself, and – in the very best of his art – the bald, bold use of contrasting primary colours. Look at the poster created for this exhibition for example, or the laminated cover of the press pack. They are more arresting than the painting called The Enigma of the Arrival and the Afternoon that it used as its starting point.
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