Andrea Bacchetti follows his album of sonatas by Baldassarre Galuppi with another little-performed 18th century Venetian, Benedetto Marcello, whose work has a surprisingly modern character.
The "Sonata III", for instance, opens with a sequence in which the right hand plays the same note 48 times in rapid succession, while the left cycles quadruplets around it – the kind of gambit you'd expect from a Cage or Feldman, but hardly from a contemporary of Vivaldi. Marcello is said to have once fallen into a grave that opened beneath him, a trauma perhaps responsible for the austere, near-spiritual logic of pieces such as the "Sonata V", where the absence of frills prefigures the enigmatic miniatures of Erik Satie.
DOWNLOAD THIS: Sonata III; Sonata V; Sonata X
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